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Karl Tunberg ( Spokane, Washington, 11 de marzo de 1907 1 - Londres, 3 de abril de 1992) fue un guionista, y ocasional productor de cine estadounidense . Empezó escribiendo guiones, generalmente junto a otros escritores, a finales de los años 30. Su primer largometraje fue You Can't Have Everything (1937), después del cual pudo escribir para ...
Karl Tunberg (March 11, 1907 − April 3, 1992) was an American screenwriter and occasional film producer. His screenplays for Tall, Dark and Handsome (1941) and Ben-Hur (1959) were nominated for the Academy Award for Best Original Screenplay and Best Adapted Screenplay , respectively.
Ab 1972 schrieb Tunberg Drehbücher für US-amerikanische Fernsehserien wie Bonanza. 1978 zog sich Karl Tunberg aus dem Filmgeschäft zurück. Tunberg war dreimal verheiratet und hatte fünf Kinder. Zusammen mit seinem Sohn Terence Tunberg schrieb er die Bücher Master of Rosewood (1980) und The Quest of Ben Hur (1984).
Carl Peter Thunberg, also known as Karl Peter von Thunberg, Carl Pehr Thunberg, or Carl Per Thunberg (11 November 1743 – 8 August 1828), was a Swedish naturalist and an "apostle" of Carl Linnaeus. After studying under Linnaeus at Uppsala University, he spent seven years travelling in southern Italy and Asia, collecting and describing people and animals new to European science, and observing ...
Karl Tunberg wrote or co-wrote Rebecca of Sunnybrook Farm (1938), Down Argentine Way (1940), the Oscar-nominated Tall, Dark and Handsome (1941), Orchestra Wives (1942), the WGA- and Oscar-nominated Ben-Hur (1959), and episodes of the television series Bonanza, Mannix, and Cannon. He produced Kitty (1945), Up in Central Park (1948), You Gotta ...
Karl Tunberg was born on 11 March 1909 in Spokane, Washington, USA. He was a writer and producer, known for Ben-Hur (1959), Tall, Dark and Handsome (1941) and Up in Central Park (1948). He died on 3 April 1992 in London, England, UK.
The original screenwriter, Karl Tunberg, had written just three words ("the chariot race") to describe the now-famous sequence, and no other writer had enlarged on his description. Marton and Canutt wrote 38 pages of script which outlined every aspect of the race, including action, stunts, and camera shots and angles. [75]
