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  1. Kenneth Spearman Clarke (Pittsburg; 9 de enero de 1914-París; 26 de enero de 1985), baterista estadounidense de jazz. Músico altamente influyente que ayudó a definir la batería dentro del bebop .

    • Estadounidense
    • Crematorio y columbario del Père-Lachaise
  2. en.wikipedia.org › wiki › Kenny_ClarkeKenny Clarke - Wikipedia

    Years active. 1931–1984. Kenneth Clarke Spearman (January 9, 1914 – January 26, 1985), known professionally as Kenny Clarke and nicknamed Klook, was an American jazz drummer and bandleader. A major innovator of the bebop style of drumming, he pioneered the use of the ride cymbal to keep time rather than the hi-hat, along with the ...

  3. 22 de feb. de 2024 · Kenny Clarke was an American drummer who was a major exponent of the modern jazz movement of the 1940s. Clarke’s music studies in high school embraced vibraphone, piano, trombone, and theory, but it was as a drummer that he began his professional career in 1930. His experience included engagements.

    • The Editors of Encyclopaedia Britannica
  4. 9 de ene. de 2014 · Wikimedia Commons. Jan. 9 marks the 100th birthday of drummer Kenny Clarke. One of the founders of bebop, Clarke is less well-known than allies like Dizzy Gillespie and Thelonious Monk, but his...

    • Kevin Whitehead
  5. www.wikiwand.com › es › Kenny_ClarkeKenny Clarke - Wikiwand

    Kenneth Spearman Clarke ( Pittsburg; 9 de enero de 1914- París; 26 de enero de 1985), baterista estadounidense de jazz. Datos rápidos Información personal, Nacimiento ... Cerrar. Músico altamente influyente que ayudó a definir la batería dentro del bebop.

  6. 9 de ene. de 2014 · YouTube. Musicians call it "spang-a-lang," for obvious phonetic reasons, and it's so synonymous with jazz, it no longer occurs to us that someone had to invent it. But someone did: a drummer named...

  7. 9 de ene. de 2024 · In the grand narrative of jazz, Kenny Clarke stands as a rhythmic pioneer, a trailblazer who dared to reimagine the role of the drummer. His legacy is not confined to the recordings or the accolades but lives on in the heartbeat of every jazz performance.