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  1. Kristina Talking Pictures es una película dirigida por Yvonne Rainer con Bert Barr, Frances Barth, James Barth, Blondell Cummings .... Año: 1976. Título original: Kristina Talking Pictures. Sinopsis: Kristina, procedente de Hungría, llega a Nueva York para convertirse en una importante coreógrafa de danza.

    • Roger Dean; Babette Mangolte (B&W)
    • Yvonne Rainer
    • Estados Unidos
    • Drama
  2. 2 de nov. de 1976 · Kristina Talking Pictures: Directed by Yvonne Rainer. With Bert Barr, Frances Barth, James Barth, James Cagney. Kristina, a self-named Hungarian female lion tamer, arrives in New York to become a dance choreographer. Kristina, now a middle-class NYC artist concerned about the environment, has a sailor lover named Raoul.

    • (30)
    • 1976-11-02
    • Yvonne Rainer
    • 90
  3. 7 de dic. de 2023 · In Kristina Talking Pictures, Rainer resisted what she termed “narrative expectation” by making a disjointed film structured like a collage. A loose plotline runs through it, centered on a Hungarian lion tamer named Kristina, whose past is haunted by virulent anti-Semitism, and who has come to New York to become a choreographer.

  4. Kristina Talking Pictures es una película sueca de 1976 que narra la historia de una adolescente llamada Kristina. Vive en una pequeña ciudad con su padre, un pastor, y lucha para encontrar su propio camino en la vida. La película sigue a Kristina mientras explora sus sentimientos y su identidad, tratando de encontrar su lugar en el mundo.

  5. Kristina Talking Pictures es una película estrenada en el año 1976 dirigida por Yvonne Rainer . Está protagonizada por Bert Barr, Frances Barth, James Barth...Kristina, a self-named Hungarian female lion tamer, arrives in New York to become a dance choreographer.

  6. Overview. Kristina, a self-named Hungarian female lion tamer, arrives in New York to become a dance choreographer. Kristina, now a middle-class NYC artist concerned about the environment, has a sailor lover named Raoul.

  7. 10 de sept. de 2012 · Rainer's third feature is arguably the closest she has yet come to the Godard wing of 'art cinema'. Like her other movies, it's a shifting collage of narrations