Resultado de búsqueda
On board a train bound for the port city of Le Havre, France, railroad stationmaster Roubard (Fernand Ledoux) murders Grandmorin (Jacques Berlioz), who seduced his beautiful young wife, Severine ...
Il est à la fois la bête qui traque et la victime de l’hérédité qui lui dicte la violence. Finalement, Jacques Lantier semble être un anti-héros n’ayant pu vaincre la bête qui sommeille en lui. Violent, sanglant, cruel, La bête Humaine est peut-être le volume le plus sombre du cycle des Rougon-Macquart.
La Bête. (film) The Beast ( French: La Bête) is a 1975 French erotic horror film written, edited, and directed by Walerian Borowczyk. Although sometimes compared with Beauty and the Beast, there are no parallels in the plot except that it features the relationship between a beast (monster) and a woman. The film was noted for its explicit ...
La Bête Humaine indirectly grew out of Jean Gabin wanting to star in a movie about trains. And, despite the love story between Jacques Lantier (Gabin) and Séverine (Simone Simon) that is ostensibly at its center, that's fundamentally what this is: a movie about trains, the men who work on them, and the community they form.
La Bête Humaine, based on Émile Zola’s well-known 1890 novel, offered a mixture of styles that combined his characteristic humanism with a more fatalistic vision of people unable to overcome the dark forces controlling not only their destinies, but their very own actions, as well. Zola’s La Bête Humaine was part of his Les Rougon ...
La Bête humaine. (filme) La Bête humaine ( bra: A Besta Humana[ 1][ 2]; prt: A Fera Humana[ 3]) é um filme francês de 1938, do gênero drama, dirigido por Jean Renoir, com roteiro dele e de Denise Leblond baseado no romance La Bête humaine, de Émile Zola. [ 2]
Résumé de La Bête Humaine d’Emile Zola. Publié en 1890, la Bête humaine est le dix-septième volume des Rougon-Macquart. Cette œuvre tardive est le fruit de l’assemblage d’un roman sur l’univers ferroviaire et d’un roman qui concerne la justice, un fait qui n’était pas du tout dans le dessein original d’Émile Zola.
