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Lee Ufan (Korean: 이우환, Hanja: 李禹煥, Korean pronunciation: born 1936 in Haman County, in South Kyongsang province in Korea) is a Korean minimalist painter, sculptor, and academic, known for innovative bodies of work emphasizing process, materials, and the experiential engagement of viewer and site, and critiques of European ...
- Mono-ha
- Nihon University
- South Korean
Lee Ufan (Gyeongsang del Sur, 24 de junio de 1936) es un artista surcoreano. En 1956 se trasladó a Yokohama, Japón y estudió filosofía. En 1973 se convirtió en profesor de la Universidad de Arte Tama de Tokio. Obtuvo el Praemium Imperiale de pintura en 1996.
- Nihon University
- Surcoreana
- 이우환
18 de nov. de 2012 · Lee Ufan (Korean: 이우환, Hanja: 李禹煥, Korean pronunciation: [iːuhwan] born 1936 in Haman County, in South Kyongsang province in Korea) is a Korean minimalist painter, sculptor, and academic, known for innovative bodies of work emphasizing process, materials, and the experiential engagement of viewer and site, and critiques ...
Artículo de Wikipedia Referencias. Lee Ufan (nacido en Gyeongsang del Sur, Corea en 1936) es un artista coreano. En 1956 se trasladó a Yokohama, Japón y estudió filosofía. En 1973 se convirtió en profesor de la Universidad de Arte Tama de Tokio. Obtuvo el Praemium Imperiale de pintura en 1996.
- Japanese, South Korean
Hace 6 días · Lee Ufan (born June 24, 1936, Haman, South Kyŏngsang [Gyeongsang] province, Korea [now in South Korea]) is a Korean artist, critic, philosopher, and poet who was a prominent theorist and proponent of the Tokyo-based movement of young artists from the late 1960s through the early ’70s known as Mono-ha (Japanese: “School of Things
27 de oct. de 2023 · Painter, sculptor, writer and philosopher Lee Ufan came to prominence in the late 1960s as one of the major theoretical and practical proponents of the avant-garde Mono-ha (Object School) group. The Mono-ha school of thought was Japan’s first contemporary art movement to gain international recognition.
The Guggenheim presents the first U.S. retrospective of the artist, philosopher, and poet Lee Ufan, charting the artist’s creation of a visual, conceptual, and theoretical language that has expanded the possibilities for sculpture and painting.
