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Betty Carter, Jimmy Witherspoon, Buddy Banks, Smiley Turner and Big Jay McNeely also played with Hampton. It was at the sixth Cavalcade of Jazz, June 25, 1950, that Hampton's playing precipitated the closest thing to a riot in the show's eventful history.
En el transcurso de dos años y medio, Hampton despidió a Carter un total de siete veces. [4] Carter formó parte de la Orquesta de Lionel Hampton que tocó en el famoso Cavalcade of Jazz en Los Ángeles en Wrigley Field, producido por Leon Hefflin, Sr. el 10 de julio de 1949. [5]
- Lillie Mae Jones
- 26 de septiembre de 1998, Brooklyn (Estados Unidos)
Over the course of two and a half years, Hampton fired Carter a total of seven times. Carter was part of the Lionel Hampton Orchestra that played at the famed Cavalcade of Jazz in Los Angeles at Wrigley Field, which was produced by Leon Hefflin, Sr. on July 10, 1949. They did a second concert at Lane Field in San Diego on September 3 ...
17 de may. de 2022 · En 1951, Betty Carter abandonaría la banda de Lionel Hampton decidida a iniciar en solitario su carrera de cantante. Una grabación realizada en 1961 a dúo con Ray Charles, apoyados ambos en una bigband, sigue siendo uno de los puntos culminantes de su carrera.
25 de may. de 2020 · After winning a local amateur contest, she turned professional at age 16, hooking up with the Lionel Hampton band by 1948, billed as Lorraine Carter. Hampton was the man who hung the nickname 'Betty Be-Bop' on her (a nickname she hated, as she found bebop limiting and wanted to do more than just scat), but it stuck, and ultimately ...
Betty’s ‘big break’ came when she joined drummer Lionel Hampton’s big band in 1948. Through this gig, Betty perfected her vocal improvisation and honed her unique vocal style, which was described as having a “saxophone-improv feel.” It is said Hampton or his wife Gladys coined the name ‘Betty Bebop’ for her.
When she joined Lionel Hampton’s band in 1948, she was using the stage name Lorraine Carter. Hampton began calling heR&Betty Bebop, and she then became known as Betty Carter. In 1951 she went with Hampton’s band to New York, where she worked for the next two decades, appearing frequently at the Apollo Theatre.
