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Louisa Maria Stuart. Louisa Maria Teresa Stuart (French: Louise Marie Thérèse; 28 June 1692 – 18 April 1712), known to Jacobites as The Princess Royal, was the last child of James II and VII, the deposed king of England, Scotland and Ireland, by his second wife Mary of Modena.
16 de nov. de 2016 · Louisa Maria Stuart was born on 28 June 1692 as the daughter of the exiled King James II and Mary of Modena at the Château of Saint-Germain-en-Laye. James greeted her words with the infamous words, “See what God has given us to be our consolation in exile.” Her godfather was Louis XIV, and she received the name Louisa in his honour.
Louisa Stuart war das jüngste der elf Kinder – sechs Töchter und fünf Söhne – von John Stuart, 3. Earl of Bute (1713–1792), der zur Zeit ihrer Geburt einer der engsten Freund des künftigen Königs Georg III. war. Ihre Mutter war Mary, eine Tochter der Schriftstellerin Mary Wortley Montagu. Bute war zwar Schotte, verbrachte aber die ...
Louisa Stuart est l'une des six filles de John Stuart (3e comte de Bute) (1713-1792), qui, au moment de sa naissance en 1757, est l'ami le plus proche du futur George III. Sa mère est Mary Stuart, comtesse de Bute (1718–1794). Lord et Lady Bute ont également cinq fils. Bien que Bute soit écossais, il passe une grande partie de son temps ...
Lady Louisa Stuart. 12 August 1757 - 04 August 1851. Standard Name: Stuart, Lady Louisa. Birth Name: Louisa Stuart. Styled: Lady Louisa Stuart. LLS, writing in the late eighteenth and early nineteenth centuries, published almost nothing deliberately. It was mostly after her death that her writings filtered into print.
Luisa María Estuardo. Luisa María Teresa Estuardo ( Castillo de Saint-Germain-en-Laye, Francia, 28 de junio de 1692 - Castillo de Saint-Germain-en-Laye, 18 de abril de 1712), conocida por los jacobitas como Princesa Real, fue la última hija de Jacobo II y VII (1633-1701), el depuesto rey de Inglaterra, Escocia e Irlanda, y de su reina ...
10 de nov. de 2017 · Louisa Stuart’s “Introductory Anecdotes” rewrite her grandmother less as an exemplar or study in moral heroineship than as a multi-faceted beacon of her era. The notion of the unfortunate woman stooping to folly is reworked in Lady Louisa’s portrait of her grandmother not in sexual but in moral-characterological terms, with pointed implications for a potentially wide readership (86).
