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  1. Author of Gleanings From an old Portfolio, Containing Some Correspondence Between Lady Louisa and her Sister Caroline, Countess of Portarlington, and Other Friends and Relations, Notes by Lady Louisa Stuart on George Selwyn and his contemporaries, and Letters of Lady Louisa Stuart to Miss Louisa Clinton

  2. 7 de nov. de 1985 · Clarissa had been willing to be talked of as an old maid, which is how Louisa Stuart was to talk of herself. After the rape it is open to her to marry her attacker: but she refuses this orthodox course, to which she is encouraged by those around her, and chooses to die. She is a marriageable, marketable, impeccable Venus who has turned into a nun.

  3. 10 de nov. de 2017 · Louisa Stuart’s “Introductory Anecdotes” rewrite her grandmother less as an exemplar or study in moral heroineship than as a multi-faceted beacon of her era. The notion of the unfortunate woman stooping to folly is reworked in Lady Louisa’s portrait of her grandmother not in sexual but in moral-characterological terms, with pointed implications for a potentially wide readership (86).

  4. With over 12 years of experience in human resources, I am a passionate and dedicated VP… · Experience: Stuart Dean Company · Education: Acacia Learning · Location: Brooklyn · 378 connections ...

    • Stuart Dean Company
  5. Almost in these letters of advice to Louisa Clinton which both reveals unwillingly, woman-to-woman sympathy seems operative here, and masks the writer's self image concerns the proper role and Stuart provides Louisa Clinton with a more important for women and the relations between the sexes. Lady Louisa.

  6. James II and VII. Mother. Mary of Modena. Louisa Maria Teresa Stuart (28 June 1692 – 18 April 1712) was the last child of James II and VII (1633–1701), the deposed king of England, Scotland, and Ireland, and of his queen, Mary of Modena. In English, she was called Louisa Maria and Louise Marie in French. Birth.

  7. 26 de ene. de 2023 · Research for the Later Victorian Portraits Catalogue has resolved some of the puzzles relating to the full-length portrait of the artist and illustrator, Louisa Anne, Marchioness of Waterford, attributed to Sir Francis Grant. This shows Lady Waterford wearing a red velvet dress in mediaeval or Tudor style, in a large stone-built hall; to the right are an easel and portfolio, allusions to her ...