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Hace 3 días · Luchino Visconti, el don de la belleza Pedro García Cueto Ondina Ediciones, 2024 140 págs. Visconti y su obra bajo la mirada de Pedro García Cueto. El libro que nos ofrece Pedro García Cueto casi no nos deja más que destacar la parte que le dedica a su película preferida «Muerte en Venecia».
Hace 1 día · L’innocente (The Innocent, 1976) was not the film Luchino Visconti initially set out to make and certainly was not intended to be his last.Even as the director, by then in his late sixties, grew increasingly infirm from a stroke, he had more than one iron in the fire as a director must if something is going to finally be accomplished.
Hace 3 días · Ianko López | May 17, 2024 - 23:40 EDT. The Cannes Festival is now screening ‘Marcello Mio,’ a film that celebrates the centenary of the great Italian actor and stars his daughter, Chiara. Her Oscar-nominated father spent his career being cast as a ladies’ man, even though the image didn’t match his persona. All the news about Luchino ...
Hace 4 días · Les nazis vont désormais concentrer tous les pouvoirs entre leurs mains. Pour maintenir son empire, la famille va devoir composer avec les nouvelles forces politiques en place…. VOSTFR, VF. SD. Origine : Italie, Suisse, Allemagne. Durée : 2h30. Année de production : 1968. Date de sortie en salle : 18/02/1970.
Hace 1 día · Box office. $43.1 million [6] Call Me by Your Name (Italian: Chiamami col tuo nome) is a 2017 coming-of-age romantic drama film directed by Luca Guadagnino. Its screenplay, by James Ivory, who also co-produced, is based on the 2007 novel of the same title by André Aciman.
Hace 3 días · Mai 1860, Garibaldi débarque en Sicile. Depuis sa villa de Palerme le Prince Salina observe ces bouleversements politiques qui conduiront à l'unification de l'Italie et à l'extinction de sa classe. Près de lui, son neveu Tancrède espère construire un monde nouveau.
Hace 5 días · Luchino Visconti and the Alchemy of Adaptation examines these films together with their literary antecedents. Moving past strict book-to-film comparisons, it ponders how literary texts encounter and interact with a history of cultural and cinematic forms, genres, and traditions.
