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  1. The Macdonald sisters were four English women of part-Scottish descent born during the 19th century, notable for their marriages to well-known men. Alice, Georgiana, Agnes and Louisa were the daughters of Reverend George Browne Macdonald (1805–1868), a Wesleyan Methodist minister, [1] and Hannah Jones (1809–1875).

  2. The Macdonald Sisters: How They Visually Created Equality Between Men and Women - Inquiries Journal. Featured Article: The Macdonald Sisters: How They Visually Created Equality Between Men and Women. By Claire E. Jones. 2011, Vol. 3 No. 09 | pg. 1/1. Cite References Print. KEYWORDS: Women's Studies Macdonald Sisters France Equality.

  3. Las hermanas Macdonald eran cuatro mujeres inglesas de ascendencia parcialmente escocesa nacidas durante el siglo XIX, notables por sus matrimonios con hombres conocidos. Alice, Georgiana, Agnes y Louisa eran hijas del reverendo George Browne Macdonald (1805-1868), un ministro de la iglesia Wesleyana Metodista, 1 y de Hannah Jones ...

  4. 3 de dic. de 2021 · Neyra Behi. Dec 3, 2021. 5 min read. The Artistic Heritage of the MacDonald Sisters: Exploring the Feminine Motif in Art Nouveau. The Sleeping Princess (1896) by Frances MacDonald.

  5. 28 de nov. de 2016 · They were the first generation of female day students, since previously women had not been admitted. Sisters began collaborating and in 1896 they opened their own studio in Glasgow, Macdonald Sisters Studio at 128 Hope Street. They worked with textiles, graphics, illustration, metal or even interior design. That’s what we call ...

  6. Georgiana, Lady Burne-Jones (Birmingham, 21 July 1840 – 2 February 1920) was a painter and engraver, and the second oldest of the Macdonald sisters. She was married to the Late Pre-Raphaelite artist Edward Burne-Jones , and was also the mother of painter Philip Burne-Jones , aunt of novelist Rudyard Kipling and Prime Minister ...

  7. This poster for the Glasgow Institute of the Fine Arts is characteristic of the idiosyncratic visual language that the Macdonald sisters and McNair pioneered. Its muted colors and linear stylizations of human, plant, and bird forms, combined with blocks of irregular lettering, connect it with the Art Nouveau of mainland Europe; the influence of ...