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  1. View credits, reviews, tracks and shop for the Vinyl release of "Mandolin Blues" on Discogs.

    • (8)
    • US
    • 8
    • Vinyl, LP, Album, Reissue
  2. Big Joe Williams was a classic Mississippi Delta Bluesman. This gruff voiced, awkward fellow with his nine-string guitar had played in jug-bands and minstrel shows; he had wandered all over the South ‘riding the blinds’ as a hobo; played for tips on street-corners and juke-joints and then, when he moved to Chicago, wrote some songs that are still played every day.

  3. Big Joe Williams. Joseph Lee Williams (October 16, 1903 – December 17, 1982) [2] was an American Delta blues guitarist, singer, and songwriter, [1] notable for the distinctive sound of his nine-string guitar. Performing over five decades, he recorded the songs "Baby, Please Don't Go", "Crawlin' King Snake", and "Peach Orchard Mama ...

  4. 4:18. 1963 BRI by billyrockaindie. Contributors. cdsin. More images. Yank Rachell's Tennessee Jug-Busters * – Mandolin Blues. Tracklist. Hide Credits. Credits. Guitar – Mike Bloomfield, Sleepy John Estes. Guitar [9-string] – Big Joe Williams. Harmonica, Jug – Hammie Nixon. Mandolin, Vocals – Yank Rachell. Producer – Robert G. Koester. Notes.

    • (6)
    • US
    • 4
    • Vinyl, LP, Album, Mono
  5. Charley Patton. Sonny Boy Williamson I. Bob Dylan. [ editar datos en Wikidata] Joseph Lee Williams, conocido como Poor Joe o Big Joe Williams, fue un cantante y guitarrista de blues estadounidense, nacido en Crawford, Misisipi, el 16 de octubre de 1903, y fallecido en Macon, Misisipi, el 17 de septiembre de 1982.

    • Joseph Lee Williams
    • Big Joe o Poor Joe
  6. Yank Rachell’s Tennessee Jug-Busters – Mandolin Blues. Delmark DE 606 (1998) Compact Disc. With Sleepy John Estes; Big Joe Williams; Mike Bloomfield, guitar; Hammie Nixon, harmonica, jug. Yank Rachell was the master of mandolin blues and this was the first blues LP to feature this instrument.

  7. 1 de oct. de 2020 · Big Joe Williams fue uno de los primeros bluesmen tradicionales en emplear amplificación. Cuando hizo sus grabaciones de 1947 para Columbia, el blues tradicional tenía pocos seguidores en esta época; a mucha gente le parecía un estilo pasado de moda. Williams nunca llegó a sentar la cabeza.