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  1. en.wikipedia.org › wiki › Thomas_KeyesThomas Keyes - Wikipedia

    Thomas Keyes or Keys (in or before 1524 – before 5 September 1571) was captain of Sandgate Castle, and serjeant porter to Queen Elizabeth I. Without the Queen's consent, he married Lady Mary Grey, who had a claim to the throne. Life. Thomas Keyes, born by 1524, was the son and heir of Richard Keyes, esquire, [2] who was twice married.

    • Born by 1524
    • Before 5 September 1571
    • Jane Merrick, other children whose names are unknown
    • Captain of Sandgate Castle, Serjeant Porter
  2. Hello, I’m Thomas Keyes, welcome to my website. I’m trying to create a comprehensive record of all of the techniques involved in producing a manuscript such as the Book of Kells so there’s quite a lot to get through and I haven’t posted it all up yet, if you’ve got a question or are interested in something that’s not yet covered get in touch at thomaskeyesartist@gmail.com The site ...

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  4. 12 de oct. de 2022 · Making the Book of Kells. 12 October 2022. |. Thomas Keyes introduces an experimental archaeology project that will involve making a reconstruction of a folio from the Book of Kells based on the latest research and the archaeology from a medieval parchment-making workshop found in the Scottish Highlands. The Book of Kells is perhaps ...

  5. Thomas Keyes. Thomas Keyes is based in Cromarty and about his approach to the award, he says: ‘ My work sits in the space created by two letter writing traditions that washed up on the shores of Ireland 1500 years apart, yet share much in form, content and cultural application; the graffiti culture that spread from the New York Transit System and took root in Belfast in 1983, and the book ...

  6. 3 de nov. de 2022 · In this guest blog, artist Thomas Keyes explores the idea that the Book of Kells could have been produced in the Highlands and introduces his project to prove it could have been: recreating an iconic Kells folio using traditional techniques and local resources.

  7. 2 de ago. de 2020 · Thomas Keyes, from Cromarty on the Black Isle, is fascinated by the art and craft techniques used by the monks over 1,200 years ago which he applies in his own work today. It is Thomas who has realised the significance of geometry during the creation of some of the museum’s Pictish stones.