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  1. Margaret Mary Pugin was born on October 17, 1849, of the union of Pugin and his third wife, Jane Knill, in Ramsgate. At the time of her birth, the ages of her six half-siblings ranged from six to seventeen. She later had one full sibling, Edmund, known as Peter Paul, who was born in June, 1851.

  2. Augustus Welby Northmore Pugin [a] ( / ˈpjuːdʒɪn / PEW-jin; 1 March 1812 – 14 September 1852) was an English architect, designer, artist and critic with French and Swiss origins. He is principally remembered for his pioneering role in the Gothic Revival style of architecture.

  3. Ilustraciones realizadas por Pugin para su libro «Contrasts»: a la izquierda, una iglesia parroquial de la época; a la derecha, una catedral gótica. Con su libro, Pugin inició una auténtica revolución. Fue aclamado e imitado, o rechazado y condenado en todos los ámbitos de la sociedad, incluso en iglesias de culto anglicano…

  4. Augustus Welby Northmore Pugin was born in Bloomsbury, London on 1 March 1812. He died in Ramsgate, Kent on 14 September 1852. His father, Augustus Charles Pugin (1762-1832) was an architectural draughtsman who had emigrated to England in c.1798.

  5. 1 de ene. de 2023 · This is the first study devoted to Pugin’s small houses. Here ‘small’ is intended to describe any house which does not aspire, either in scale or style, to the country house or mansion. Where these buildings have been considered before it has been in the context of surveys of Pugin’s work in general, or of all of it that was not ...

  6. Architect, architectural theorist and medievalist. Pugin was the son of the architect Auguste Charles Pugin (1768/9-1832) and Catherine Welby (c.1772-1833). Though his father was nominally Roman Catholic, his mother was a fanatical protestant, who raised the boy in the tradition of the theologian Edward Irving (1792-1834), whose sermons they ...

  7. logues of Pugin's work in the collections of the RIBA and the Victoria and Albert Museum.3 Margaret Belcher's essay "Pugin Writing" discusses Contrasts in the context of Pugin's other books.4 Some graphic precedents have also been sug-gested.5 This article amplifies the previous studies and differs from