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  1. 29 de jul. de 2016 · Mario Bava took a vital role in the creation of the modern horror film. If there was to be a Mount Rushmore-style monument dedicated to four directors whose work pioneered a new form of big screen chills and thrills, those giant faces etched in granite on the mountainside would be: Bava, Alfred Hitchcock, Georges Franju and Michael Powell. 1960 is to horror what 1939 is to classical Hollywood ...

  2. ro.wikipedia.org › wiki › Mario_BavaMario Bava - Wikipedia

    Mario Bava (n. 31 iulie 1914, San Remo, Liguria, Italia – d. 25 aprilie 1980, Roma, Italia) a fost un regizor de film italian, scenarist, expert în efecte speciale și director de imagine din epoca de aur a filmelor de groază italiene. A regizat filme giallo, un subgen asemănător filmelor slasher americane.

  3. 10 de mar. de 2020 · Mario Bava’s Blood and Black Lace is a fascinating blend of high and low art. The script is putrid and the acting is just straight bad but Bava’s gliding camera, and especially his use of color, is a major artistic achievement. He often uses neon lighting and heavy shadow work in the same mise-en-scene. It’s gorgeous.

  4. DARIO ARGENTOItaly, 1980. Following Suspiria, Argento invoked the power of witches once more with this loose continuation (and part of the “Three Mothers” trilogy)—a fever dream crosscut between haunting synchronicities in New York City and Rome. Like its illustrious predecessor, Inferno is another irresistible nightmare.

  5. 13 de may. de 2014 · Mario Bava (b. 1914—d. 1980) was an Italian filmmaker whose work has influenced that of Martin Scorsese, Quentin Tarantino, and Francis Ford Coppola, among a score of others. He’s also credited with indirectly spawning the slasher film craze of the ’80’s.

  6. 6 de dic. de 2020 · Shudder always brings the goods, but they’ve outdone themselves with a seven-film collection of Italian horror maestro Mario Bava’s greatest hits. This Mario Bava Collection spans nearly two decades of Bava’s career, highlighting some of his most iconic work from 1960’s Black Sunday , his first foray into Gothic horror, to his final horror film, 1977’s Shock .

  7. Mario Bava's final completed film follows Dora, a recently released mental patient who moves into her old home with her new husband. When her new beau heads out of town, strange things start happening, and her son seems to be possessed by the ghost of her ex-husband, a heroin addict who committed suicide.