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10 de mar. de 2024 · Mario Bava was an influential Italian horror filmmaker active between the 1940s and late '70s. He was a polymath, working as a special effects artist, writer, and cinematographer in addition to ...
Dirección: Mario Bava. Intérpretes: Barbara Steele, John Richardson, Ivo Garrani, Andrea Checchi. Película basada en un relato de Nikolai Gogol. Con guión de Ennio de Concini (“Divorcio A La Italiana”, “Constantino El Grande”) y Mari Serandrei (“Eleonora Duse”, “El Último Amor”). Sinopsis En el siglo XVII los acusados de brujería son ejecutados inquisitorialmente ...
As an uncredited visual effects artist on Argento's Inferno (1980), Bava aided in creating one of cinema's closest equivalents to a nightmare captured on film. Long after his death in 1980 resulting from a heart attack, Bava's legacy would live on through both his son and a "lost" film that never saw the light of day in his own lifetime.
6 de dic. de 2017 · 16. Schock (Shock, 1977) Bava’s last film (excluding “La Venere d’Ille”, a medium-length television film from a 1979 series which Mario Bava co-directed with his son and future film director Lamberto, who also co-wrote “Shock”) is one of the most terrifying works in his entire filmography.
18 de oct. de 2021 · Black Sunday (1960) - Stream On Shudder. Bava's first accredited horror film still ranks as one of the scariest and most influential of all time. Black Sunday is an unnervingly atmospheric tale of witchcraft that follows Princess Asa Vajda (Barbara Steele in an iconic turn), a woman burned at the stake who rises from the grave and vows revenge ...
Directors: Paolo Heusch, Mario Bava | Stars: Paul Hubschmid, Madeleine Fischer, Fiorella Mari, Ivo Garrani. Votes: 841. 3. Hercules Unchained (1959) G | 105 min | Adventure, Fantasy. While negotiating peace between two brothers contesting the throne of Thebes, an amnesiac Hercules is seduced by the evil Queen Omphale.
7 de jul. de 2017 · The retrospective Mondo Bava runs from July 14 through 25, but Kill, Baby...Kill! opens today. This “new restoration brightens the corners of Mario Bava’s superb gothic 1966 freak-out, crisply rendering each open grave, rotting skull, Limeade cobweb, and tendril of swirling mist,” writes Alan Scherstuhl in the Village Voice. “The movie ...
