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  1. Under the pseudonym Mario Cleri, Puzo wrote World War II adventure features for True Action. Puzo's most famous work, The Godfather, was first published in 1969 after he had heard anecdotes about Mafia organizations during his time in pulp journalism. He later said in an interview with Larry King that his principal motivation was to make money.

  2. ro.wikipedia.org › wiki › Mario_PuzoMario Puzo - Wikipedia

    Mario Gianluigi Puzo (n. 15 octombrie 1920, New York City, New York, SUA – d. 2 iulie 1999, Long Island, New York, SUA) a fost un autor și scenarist italo-american, câștigător a două premii Oscar, cunoscut în special pentru romanele sale despre mafie, și în special pentru "Nașul" (1969), roman care l-a consacrat și pe care l-a adaptat cinematografic, într-o trilogie foarte ...

  3. Mario Puzo. Některá data mohou pocházet z datové položky. Mario Gianluigi Puzo ( 15. října 1920, New York – 2. července 1999, New York) byl americký spisovatel, který bývá literárními kritiky označován jako dědic generace naturalistů.

  4. 2 de jul. de 1999 · Puzo, along with other writers like Bruce Jay Friedman, worked for the company line of men's magazines, pulp titles like Male, True Action, and Swank. Under the pseudonym Mario Cleri, Puzo wrote World War II adventure features for True Action. Puzo's most famous work, The Godfather, was first published in 1969 after he had heard anecdotes about ...

  5. Hace 4 días · Mario Puzo was an American novelist and screenwriter who chronicled a fictional Mafia family, the Corleones, in The Godfather (1969), which became one of the most successful novels ever—selling some 21 million copies worldwide, spawning three critically and financially successful motion pictures,

  6. Mario Puzo. Writer: The Godfather. Mario Puzo was born October 15, 1920, in "Hell's Kitchen" on Manhattan's (NY) West Side and, following military service in World War II, attended New York's New School for Social Research and Columbia University.

  7. El Padrino de Mario Puzo es una de esas novelas que marcaron la frontera entre el antes y el después. Antes de ella, la percepción de “La Mafia” era muy similar a la de una banda de delincuentes, quizás más elegantes y organizados, pero no muy distantes del hampa común. La extraordinaria descriptiva de Puzo nos la muestra con una ...

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