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  1. 15 de abr. de 2024 · Melinda Dillon junto a Cary Guffey en ‘Encuentros en la tercera fase’. LA TEMÁTICA DE ENCUENTROS EN LA TERCERA FASE. La temática del film nos retrotrae a la infancia del director, allí nos encontramos con un niño que había adquirido pasión por la astronomía gracias su padre.

  2. 15 de abr. de 2024 · Melinda Dillon (October 13, 1939 January 9, 2023) was an American actress. She was nominated for an Academy Award for Best Supporting Actress for her role as Jillian Guiler in the 1977 film Close Encounters of the Third Kind. Dillon was born in Hope, Arkansas, and began her acting career in the early 1960s.

  3. Hace 4 días · After Tony nominee Melinda Dillon quit the intense Who’s Afraid of Virginia Woolf? after nine months — she would spend time in a psychiatric hospital — Oliver stepped into the role of Honey ...

  4. 30 de abr. de 2024 · One of the great performances in the film is that of Cary Guffey, the three-year-old who plays Barry Guiler, son of Melinda Dillon’s (A Christmas Story) Jillian Guiler. There is a great moment in the film when he’s reacting to off-camera aliens and has this sense of wonder, joy and pure delight on his face — all of which was manipulated by Steven Spielberg.

  5. 18 de abr. de 2024 · According to The Hollywood Reporter, Melinda Dillon kicked off her acting career in a big way by earning a Tony Award nomination for her performance in the original 1963 production of Edward Albee ...

  6. Hace 5 días · # 2. Most popular actor on Entertaining Angels: The Dorothy Day Story. 3,446 Wikipedia views yesterday. Melinda Dillon. as Sister Aloysius. Melinda Dillon takes on the role of Sister Aloysius, a character who interacts closely with Dorothy Day throughout the film. # 4. Most popular actor on Entertaining Angels: The Dorothy Day Story.

  7. Hace 4 días · His quest to convince the adults in his life- his parents (Darren McGavin and Melinda Dillon), and even Santa Claus- that this dangerous toy won't shoot his eye out forms the backbone of the story. Set in 1940s Indiana, the film is a nostalgic look at childhood desires and holiday traditions.