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Merce Cunningham, pour toujours : afin de célébrer le rayonnement de l’œuvre du maître américain, le Ballet de l’Opéra de Lyon présente Beach Birds et BIPED, deux pièces fondamentales qui font entrer l’art de la danse dans le 21e siècle. Un rendez-vous essentiel avec la créativité d’une des grandes figures de l’abstraction ...
Brooklyn, New York. Education. Cornell University, Black Mountain College, University of Massachusetts at Amherst. Known for. Dance. Movement. Modern dance. Marianne Preger-Simon (born 1929) is an American dancer, choreographer, writer, and psychotherapist. She is best known for her work as a founding member of the Merce Cunningham Dance Company.
Merce Cunningham (16 Nisan 1919, Centralia, Washington, ABD - 26 Temmuz 2009, New York, ABD ), Amerikalı koreograf ve dansçıdır. 50 yıldan daha fazla bir süre boyunca avangart düşüncesini paylaşmıştır. Çok genç yaşta dansla ilgilenmeye başlayan sanatçı, öğrenimini Seattle 'daki Cornish College of the Arts 'ta tamamladı ve ...
10 de mar. de 2014 · Signature Daniel Larrieu, Au fil de l’eau, Signature Merce Cunningham. Quand l’oeuvre questionne la créati…. 16 nov. 2012. 11h30 - 21h30. Dans le cadre de. Vidéodanse, les trente ans. Terminé. Spectacle / Concert.
One of Merce Cunningham’s most influential strategies was his use of chance and randomness as a creative tool. Cunningham would often flip coins, roll dice, or even consult the I-Ching to guide the way he structured his choreography. This strategy, also favored by John Cage, challenged traditional notions of storytelling in dance.
Fitchburg, Massachusetts. Education. Denishawn School; Wheaton College. Occupation (s) Dancer and choreographer. Carolyn Brown (born September 26, 1927) is an American dancer, choreographer, and writer. She is best known for her work as a founding member of the Merce Cunningham Dance Company, and was Cunningham's leading dancer for twenty years.
El Penitente. El Penitente is a modern dance work by Martha Graham performed to music by Louis Horst. It premiered on August 11, 1940, at the Bennington College Theater, Bennington, Vermont, with costumes by Edythe Gilfond and a set by Arch Lauterer. Isamu Noguchi later redesigned the set and created a new mask.
