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Meret Oppenheim naît à Berlin d’un père allemand et d’une mère suisse, Eva Wenger, sœur de la peintre et cantatrice Ruth Wenger une des épouses de Hermann Hesse. Meret Oppenheim a une sœur, Kristin, née en 1915, ainsi qu'un frère, Burkhard, né en 1919. Elle quitte l'école à dix-sept ans pour apprendre la peinture.
9 de feb. de 2016 · In 1936, the surrealist Meret Oppenheim wrapped a teacup, saucer and spoon in fur. In the age of Freud, a gastro-sexual interpretation was inescapable. Even today, the work triggers intense reactions.
27 de abr. de 2023 · 5. Meret Oppenheim’s Gloves, 1985 Glove (for Parkett No. 4) by Meret Oppenheimer, 1985, via Sotheby’s While Meret Oppenheim was still a student, she received a commission from the Parisian avant-garde fashion house Elsa Schiaparelli to design gloves and jewelry. She was interested in fashion and artworks that could also serve as accessories.
23 de feb. de 2022 · Meret Oppenheim ’s furred sculpture Object is widely considered the Surrealist object par excellence. Her retrospective, “Meret Oppenheim: My Exhibition,” opens March 25 at the Menil ...
Pedir reproduçãoda pintura a óleo. Méret Elizabeth Oppenheim (Berlim, 6 de outubro de 1913 — Sion,15 de novembro de 1985) foi uma artista plástica e fotógrafa suíça associada ao movimento surrealista . Sua obra mais conhecida é Le dejeuner en fourrure (Café-da-manhã em pele), hoje exposta no Museu de Arte Moderna de Nova Iorque (MoMA).
12 de ene. de 2023 · Jan 12, 2023. Meret Oppenheim (1913–1985) was a visionary artist who worked across mediums and refused to adhere to a single style. The scope of her influence is similarly varied. Her objects, jewelry and clothing designs, drawings, paintings, and sculptures continue to inspire and provoke artists and makers in diverse fields and disciplines.
Meret Oppenheim forged ties to Surrealism when she moved from Switzerland to Paris in 1932 while still in her teens. Though she was one of the few women artists to be immediately welcomed by the movement, Oppenheim thought of Surrealism as ideologically permeable and pursued many avenues of experimentation, exploring dreams, humour, death, womanhood, and nature.
