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6 de may. de 2024 · As Molly Haskell put it, "she had to do some kind of self-abasement to stay on the good side of the audience." It was this self-abasement that became the key to Katharine Hepburn becoming a ...
Hace 4 días · In her book Steven Spielberg: A Life in Films (Jewish Lives), Molly Haskell wrote that both An American Tail and its sequel Fievel Goes West were oddly more "personal" for Spielberg than Schindler's List (1993), "the film that certified the director's rebirth as a Jew, and his much-vaunted evolution into a newfound 'maturity'".
- $16.5 million
Hace 4 días · And Molly Haskell, writing about the 1964 Howard Hawks film “Man’s Favorite Sport” in 1971, was my introduction to the auteur theory idea that even in an ostensibly witless Rock Hudson sex farce, there was more going on than met the eye:
30 de abr. de 2024 · “Bulle Ogier, the lovely and irrepressibly common heroine of La salamandre, is conceived along the lines of Skolimowski’s Jane Asher in Deep End and Rohmer’s Haydee in La collectionneuse—a young woman who stubbornly resists the efforts of men to classify her, or squeeze her into the ready-made molds of their fantasies,” wrote Molly Haskell in the Village Voice.
30 de abr. de 2024 · Arbor Resources Committee members Molly Haskell, left, and Elizabeth Knox take care of the tree planted in memory of Rachel Murphy on Saturday. Photo by Mike Rosenberg. Among the people attending Saturday’s tree planting at the James F. Sullivan Park were, from left to right, Denita, Dawn, Eddie, and Crystal Murphy flanking Don Marshall.
Hace 6 días · This release includes another Coolidge work (the documentary Old-Fashioned Woman [1974]), an interview with Coolidge, and an essay from critic Molly Haskell. This is a challenging film but a must for those who know the stakes.
Hace 6 días · PLUS: An essay by film critic Molly Haskell; Real Life (#1231) out Aug 27. Decades before reality television reigned supreme, there was Albert Brooks’s debut feature, Real Life, a brilliantly deadpan, stylistically innovative satire about the perils and pitfalls of trying to capture the truth on film.
