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  1. Aimee Mann – bass, vocals; Michael Bland – drums; Julian Coryell – slide guitar; Danny Frankel – drums; Buddy Judge – harmony vocals; Gary Louris – harmony vocals; Patrick Warren – piano, Fender Rhodes, pianette; Jebin Bruni – piano, pianette; Dave Palmer – piano; Sheldon Gomberg – upright bass; Justin Rocherolle ...

    • At home, no dates given
    • Rock
  2. "Me Around" "O.K." Video para "Walter Reed" "Down by the Riverside" (hidden track) Personal. Michael Penn – dulcimer, bajo, guitarra, percusión, piano, órgano Hammond, voces. Aimee Mannbajo, voces. Michael Bland – tambores. Julian Coryell – guitarra de diapositivas. Danny Frankel – tambores. Buddy Judge – armonía vocales.

  3. Album, Stereo. When I Was Cruel. Elvis Costello. Released. 2002 — US. CD —. Album. Explore the tracklist, credits, statistics, and more for Mr. Hollywood Jr., 1947 by Michael Penn. Compare versions and buy on Discogs.

  4. 2 de ago. de 2005 · Not immune to the major-label troubles that famously plagued his wife, Aimee Mann, Penn left Epic Records after 2000's MP4: Days Since A Lost Time Accident, and co-founded his own independent...

  5. 29 de ene. de 2007 · On his new record Mr. Hollywood Jr., 1947, Penn weaves historical, political and social events and themes into 12 meticulously crafted songs that tell a series of inter-connected stories of human relationships and romance set against the backdrop of post-World War II America.

  6. In a burst of relative productivity, Penn released Mr. Hollywood Jr., 1947 only three years after MP4. Like Manns The Forgotten Arm, this is a concept album of sorts, exploring the world of post-World War II America from a range of perspectives. The album suffers, as does some of Manns more recent work, from overly restrained tempos and ...

  7. 1 de sept. de 2005 · Not unlike his wife Aimee Mann, he specializes in songs that set the hope for love against intelligent bitterness and whimsical resentment. Behind the boards, he layers his darkly melodic voice and folk-rock music until they echo the baroque stylization of late Beatles and most Mitchell Froom.