1926
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Natacha Rambova (19 de enero de 1897 – 5 de junio de 1966) fue una diseñadora de vestuario y de decorados, directora artística, guionista, productora cinematográfica y actriz ocasional de nacionalidad estadounidense, que trabajó en la época del cine mudo.
- Winifred Kimball Shaughnessy
- Natasha Rambova.
Natacha Rambova (born Winifred Kimball Shaughnessy; January 19, 1897 – June 5, 1966) was an American film costume designer, set designer, and occasional actress who was active in Hollywood in the 1920s.
- 5 ft 8 in (1.73 m)
- June 5, 1966 (aged 69), Pasadena, California, U.S.
- Winifred Kimball Shaughnessy, January 19, 1897, Salt Lake City, Utah, U.S.
- Heber C. Kimball (great-grandfather)
Natacha Rambova (1897-1966) Costume Designer. Actress. Writer. IMDbPro Starmeter See rank. Primarily famous as the wife of screen idol Rudolph Valentino, Natacha Rambova was also a talented dancer and an innovative set designer, bringing the Art Deco style to Hollywood for the first time.
- January 1, 1
- Salt Lake City, Utah, USA
- January 1, 1
- Pasadena, California, USA
26 de feb. de 2024 · Hoy en Gente Yold descubrimos la fascinante vida de Natacha Rambova, una creadora total que dejó una huella imborrable en el mundo del arte y la moda. Desde su impacto en el cine mudo hasta su revolucionaria incursión en el diseño de moda, nos sumergimos en la inigualable creatividad de esta figura enérgica y visionaria.
Natacha Rambova. Actress: When Love Grows Cold. Primarily famous as the wife of screen idol Rudolph Valentino, Natacha Rambova was also a talented dancer and an innovative set designer, bringing the Art Deco style to Hollywood for the first time.
- January 19, 1897
- June 5, 1966
Natacha Rambova (19 de enero de 1897 – 5 de junio de 1966) fue una diseñadora de vestuario y de decorados, directora artística, guionista, productora cinematográfica y actriz ocasional de nacionalidad estadounidense, que trabajó en la época del cine mudo.
In the 1920s, Natacha Rambova created a unique look in set design and costume for some of cinema’s most imaginative films. She was a powerful influence on designers such as Gilbert Adrian, whom she hired for his first film, and Michael Morris ranks her among such innovators as Erté, Paul Iribe, and Cecil Beaton.
