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The New Objectivity (in German: Neue Sachlichkeit) was a movement in German art that arose during the 1920s as a reaction against expressionism. The term was coined by Gustav Friedrich Hartlaub , the director of the Kunsthalle in Mannheim , who used it as the title of an art exhibition staged in 1925 to showcase artists who were ...
- New Objectivity (filmmaking)
New Objectivity (a translation of the German Neue...
- New Objectivity (architecture)
The New Objectivity (a translation of the German Neue...
- New Objectivity (filmmaking)
Summary of Neue Sachlichkeit (New Objectivity) Eschewing the idealism and utopianism that marked the first decade of the 20 th century and disillusioned by a World War that wreaked havoc on bodies and society, the artists associated with Neue Sachlichkeit, or New Objectivity as it is translated in English, presented an unsentimental realism to ...
La nueva objetividad (en alemán: Neue Sachlichkeit) fue un movimiento artístico surgido en Alemania a comienzos de los años 1910 que rechazaba al expresionismo. El movimiento acabó, esencialmente, en 1933 con la caída de la República de Weimar y la toma del poder por los nazis.
Nueva objetividad (arquitectura) La Nueva objetividad (también conocida como Nueva Sobriedad) es un término utilizado para describir la arquitectura moderna que se desarrolló en Europa, especialmente en los países de habla alemana, durante los años 1920 y 1930. También es comúnmente referida como Neues Bauen (Edificio Nuevo) 1 .
A critical attitude. Dix was a leading representative of the realist tendency in post-World War I German art known as Neue Sachlichkeit, usually translated as New Objectivity. The name of the tendency originated in a 1925 exhibition of figurative painters that included Dix, George Grosz, and Max Beckmann.
