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Hace 5 días · In the modern era, the art of theater was evolved in the second half of the nineteenth century through interaction with Europe. As well as the development of popular theatrical forms that Egypt knew thousands of years before this date.
Hace 1 día · Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the light opera works of Jacques Offenbach in France, Gilbert and Sullivan in Britain and the works of Harrigan and Hart in America.
Hace 3 días · The "battle of Hernani" was fought nightly at the theatre in 1830: lithograph, by J. J. Grandville After the Bourbon Restoration , French Romanticism developed in the lively world of Parisian theatre , with productions of Shakespeare , Schiller (in France a key Romantic author), and adaptations of Scott and Byron alongside French authors, several of whom began to write in the late 1820s.
Hace 5 días · Richard Wagner, German dramatic composer and theorist whose operas and music had a revolutionary influence on the course of Western music, either by extension of his discoveries or reaction against them. Among his major works are Tristan und Isolde (1865), Parsifal (1882), and The Ring of the Nibelung (1869–76).
Hace 2 días · Modernism is an early 20th-century movement in literature, the visual arts and music, emphasizing experimentation, abstraction and subjective experience. Philosophy, politics and social issues were also aspects of the movement which sought to change how 'human beings in a society interact and live together'. [2]
Hace 5 días · Nineteenth Century Spain: A New History. London, Routledge, 2019, ISBN: 9780815351061; 212pp.; Price: £96.00. At a time when the study of 19th-century history in general is becoming an increasingly marginal pursuit, writing a synthetic volume about Spain—which has never enjoyed much scholarly attention—may seem optimistic.
Hace 4 días · Blackface is the practice of non- black performers using burnt cork or theatrical makeup to portray a caricature of black people on stage or in entertainment. In the United States, the practice became a popular entertainment during the 19th century into the 20th.
