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1 de may. de 2024 · Some semanticists focus primarily on sense or primarily on reference in their analysis of meaning. To grasp the full meaning of an expression, it is usually necessary to understand both to what entities in the world it refers and how it describes them.
We have been able to come up with plentiful examples of using different senses for the same reference, but cannot think of an example of using the same sense for different references. At first we debated whether simply using the same words would constitute the same sense, like two meaning in words like "western-wear" for someone in India and "western-wear" for someone in Texas.
Hace 2 días · Frege's paper On Sense and Reference (1892) is seminal, containing Frege's puzzles and providing a mediated reference theory. His paper The Thought: A Logical Inquiry (1918) reflects both his anti-idealism or anti-psychologism and his interest in language.
18 de abr. de 2024 · Based on Frege’s distinction between sense and reference, we propose a paradigm to study if LLMs, trained on only forms, possess form-independent notions of meaning. Specifically, we evaluate the self-consistency of a model across different meaning-preserving forms (senses), generated by the model itself.
Hace 5 días · In the same letter, Frege used the review of Schröder's book to analyze Husserl's notion of the sense of reference of concept words. Hence Frege recognized, as early as 1891, that Husserl distinguished between sense and reference. Consequently, Frege and Husserl independently elaborated a theory of sense and reference before 1891.
2 de may. de 2024 · We discuss how Frege's sense can also be extended to the raw feels of consciousness. Sense and reference both play a role in phenomenal experience. Moreover, within the context of the mind-matter relation, we provide a formalization of subjective meaning associated to one's mental representations.
25 de abr. de 2024 · Sense and Sensibility, novel by Jane Austen that was published anonymously in three volumes in 1811 and that became a classic. The satirical, comic work offers a vivid depiction of 19th-century middle-class life as it follows the romantic relationships of Elinor and Marianne Dashwood.
