Resultado de búsqueda
27 de feb. de 2024 · Otto Dix (born December 2, 1891, Untermhaus, Thuringia, Germany—died July 25, 1969, Singen, Baden-Württemberg, Germany [then West Germany]) was a German painter and engraver who mixed compassion and Expressionist despair to create works harshly critical of society. He was associated and exhibited with the Neue Sachlichkeit group of painters.
Hace 3 días · Otto Dix. German, 1891–1969. Starr Figura, German Expressionism: The Graphic Impulse, New York, The Museum of Modern Art, 2011. Painter, printmaker, watercolorist. Known especially for his caustic portraits of postwar German society. Studied in Dresden from 1910 to 1914, where he encountered art of the Brücke and began painting in a colorful ...
11 de Oct 2016 - 15 de Jan 2017. The Museo Nacional de Arte presented, for the first time in Mexico City, an exhibition of the essential creation periods of Otto Dix (1891-1969), an artist who captured the historical reality of a conflictive period in Germany in which the vast thematic and expressive development of a character that was active ...
Otto Dix (1891-1969) Pintor alemán, nacido en Unter- inhaus, Thuringia, 1891; murió en Hemmenhofen, 1969. En 1910 ingresó en la Escuela de Artes Decorativas de Dresde, uno de los primeros centros del expresionismo, donde asimiló las innovaciones del Blue Rider, Die Brücke y el futurismo. La guerra.
Otto Dix (banda) Otto Dix es un dúo ruso de darkwave, llamado así por el pintor expresionista del mismo nombre. Están actualmente inscritos en Danse Macabre Records, una discográfica fundada y que pertenece a Das Ich. 1 .
Otto Dix has been perhaps more influential than any other German painter in shaping the popular image of the Weimar Republic of the 1920s. His works are key parts of the Neue Sachlichkeit ("New Objectivity") movement, which also attracted George Grosz and Max Beckmann in the mid 1920s. A veteran haunted by his experiences of WWI, his first ...
German artist Otto Dix was a committed painter of portraits. At a time when photography had diminished portraiture’s importance and the genre was seen as a deeply unfashionable pursuit for so-called serious artists, he was making a living – and cementing his reputation – out of exactly that.
