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Sobre el significado del número son varias las hipótesis, ligadas sobre todo a la alquimia (Fagiolo Del Arco, 1969 y 1970; Mutti, 1978), que ven en los dos números alusiones a la Luna y a Júpiter; o a la conjunción entre Sol y Luna, que aludiría al enlace entre Galeazzo y su esposa Paola Gonzaga.
Paola Gonzaga; Parmigianino, Cerere, forse ritratto di Paola Gonzaga, 1524, Rocca di Fontanellato: Signora consorte di Fontanellato; Stemma: In carica: 1516 - 1550 Nascita: Sabbioneta: Morte: 1550: Dinastia: Gonzaga: Padre: Ludovico Gonzaga: Madre: Francesca Fieschi: Consorte: Gian Galeazzo Sanvitale: Figli
- 1516 - 1550
- 1550
Paola Gonzaga, Galeazzo Sanvitale's wife, who commissioned the room of Diana and Acteone frescoed by Parmigianino
Identification and Transgressive Gazing: Paola Gonzaga's Fontanellato Frescoes. Caroline Koncz. 2023, Ovidius Pictus: Afterlives of the Metamorphoses in Europe, from Books to the Arts (Il Capitale Culturale: Studies on the Value of Cultural Heritage)
- Caroline Koncz
ar sees them as the contrast between Paola Gonzaga as Pomona and Diana as symbolizing the contrast between fertility and chastity.2 In modern literature, moreover, it is generally assumed that Giangaleazzo Sanvitale (1496-1550), Paola Gonzaga's husband and Count of Fontanellato, was responsible for commissioning the paintings from
Livia (Paola) Gonzaga (August 1508 in Mantua – 11 April 1569 in Mantua) was a Mantuan noblewoman. Biography. Born Livia Osanna Gonzaga, she was the daughter of Francesco II Gonzaga, Marquis of Mantua and Isabella d'Este, daughter of Ercole I d'Este, Duke of Ferrara; and named after an earlier Livia, born in 1503, who died very young. [1] .
