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  1. Patrick Keiller (born 1950) is a British film-maker, writer and lecturer. Biography. Keiller was born in 1950, in Blackpool and studied at the Bartlett School of Architecture, University College London. In 1979 he joined the Royal College of Art 's Department of Environmental Media as a postgraduate student.

  2. Patrick Keiller es uno de esos cineastas que sabe dónde y como mirar para contar la historia de una ciudad, de un país, o incluso de toda una época. Sus trabajos son ‘documentales psicogeográficos’, intentos de explicar procesos históricos a través de la observación atenta de espacios simbólicos.

  3. Patrick Keiller. Director: London. Patrick Keiller was born in 1950 in Blackpool, Lancashire, England, UK. He is a director and writer, known for London (1994), Robinson in Space (1997) and Robinson in Ruins (2010).

    • January 1, 1
    • 2 min
    • Blackpool, Lancashire, England, UK
  4. 11 de ene. de 2024 · Patrick Keiller. “Robinson believed that, if he looked at it hard enough, he could cause the surface of the city to reveal to him the molecular basis of historical events, and in this way he hoped to see into the future.”.

  5. NO NOOK OF ENGLISH GROUND SECURE: THE FILMS OF PATRICK KEILLER. By Dennis Lim. Patrick Keiller, Robinson in Ruins, 2010, 35 mm transferred to HD video, color, sound, 101 minutes. IN PATRICK KEILLERS FIRST FEATURE, London (1994), an unnamed, unseen narrator articulates a theory of landscape on behalf of the film’s equally invisible ...

  6. Biography. Patrick Keiller was born in 1950, in Blackpool, Lancashire, UK, and lived in Lancashire (1950-55), Northumberland (1955-58), and Warwickshire (1958-67) before moving to London in 1967 to study architecture at UCL’s Bartlett school. During 1969, he worked for a time as a volunteer at the Institute for Research in Art and Technology ...

  7. 27 de jun. de 2017 · Hand-picked by the BFI exclusively for audiences in the USA. Try seven days free. In an exclusive new interview, the celebrated filmmaker Patrick Keiller revisits his classic of British psychogeographic cinema, London, reflecting on changes in the capital since he filmed it 25 years ago.