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  1. Paul Cézanne (Aix-en-Provence, 19 de enero de 1839-Aix-en-Provence, 22 de octubre de 1906) fue un pintor francés posimpresionista, considerado el padre de la pintura moderna y cuyas obras establecieron las bases de la transición entre la concepción artística decimonónica hacia el mundo artístico del siglo XX, nuevo y diferente.

    • Cimetière Saint-Pierre (Aix-en-Provence)
    • 22 de octubre de 1906, Aix-en-Provence (Francia)
  2. Paul Cézanne was a French artist and Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavour to a new and radically...

  3. Paul Cézanne (/ s eɪ ˈ z æ n / say-ZAN, UK also / s ɪ ˈ z æ n / siz-AN, US also / s eɪ ˈ z ɑː n / say-ZAHN, French: [pɔl sezan]; 19 January 1839 – 22 October 1906) was a French Post-Impressionist painter whose work introduced new modes of representation and influenced avant-garde artistic movements of the early 20th century.

    • 22 October 1906 (aged 67), Aix-en-Provence, France
    • 19 January 1839, Aix-en-Provence, France
  4. Paul Cézanne (1839–1906) James Voorhies. Department of European Paintings, The Metropolitan Museum of Art. October 2004. One of the most influential artists in the history of modern painting, Paul Cézanne (1839–1906) has inspired generations of artists.

  5. Paul Cézanne ( say-ZAN, UK also siz-AN, US also say-ZAHN, French: [pɔl sezan]; 19 January 1839 – 22 October 1906) was a French Post-Impressionist painter whose work introduced new modes of representation and influenced avant-garde artistic movements of the early 20th century.

  6. Los jugadores de cartas (Les Joueurs de cartes en el título francés original) es una serie de ocho cuadros sobre el tema de la partida de cartas, que realizó el pintor francés Paul Cézanne [1] entre 1890 y 1895 (la comenzó estando en Suiza y la acabó en Aix-en-Provence).

  7. 9 de mar. de 2022 · Paul Cézanne is best known for being a French post-impressionist painter who was interested in an art style that represented the underlying structure of his subjects through geometrical forms and the use of tonal colours to represent spatial perspective.