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1 de ene. de 1991 · The Paul Robeson collection (Black studies research sources) Hardcover – January 1, 1991. by Paul Robeson (Author) See all formats and editions. Hardcover. — Print length. 9 pages. Language. English. Publisher. University Publications of America. Publication date. January 1, 1991. ISBN-10. 1556553757. ISBN-13. 978-1556553752. See all details.
- Hardcover
- Paul Robeson
The Paul Robeson Collection (1926-1956) documents Robeson 's artistic and political career from 1949 to 1956. Divided into four series: GENERAL, PROFESSIONAL, PASSPORT CASE and ORGANIZATIONS, the collection consists mainly of correspondence, manuscripts and printed matter, and represents for the most part office files of the United Freedom Fund ...
21 de may. de 2015 · This chapter provides the context in which to understand Paul Robeson’s reception in Europe as both “American” and “black,” showing how the interaction between the two terms defined his intellectual, artistic, and professional formation in the 1920s Harlem Renaissance.
15 de nov. de 2020 · Accompanied by printed reel guide compiled by David H. Werning with title: A guide to the microfilm edition of the Paul Robeson collection. Series Black studies research sources, Manuscript collections from the Schomburg Center for Research in Black Culture, the New York Public Library, Manuscript collections from the Schomburg ...
12 de abr. de 2016 · This article utilizes the African American Paul Robeson and his representation on YouTube to address three critical and underexplored arenas in heritage studies.
Paul Robeson was an American actor, athlete, bass-baritone concert singer, writer, and civil rights activist. This collection comprises of material gathered together to document the career of one of Rutgers most famous and influential alumnus.
Correspondence, texts of speeches, articles, columns and statements written by Paul Robeson and his wife, Eslanda Goode Robeson, photographs, news clippings, and press releases documenting Robeson's artistic and political activities.
