Resultado de búsqueda
30 de ago. de 2019 · Pauline Kael, eloquent, incisive, histrionic, and stubborn, engendered the idea of the amateur-as-critic. She didn’t study film, nor did she study writing, and yet for three decades she was America’s preeminent writer on film, the progenitor of modern film criticism as well a reminder of what criticism no longer is.
7 de jul. de 2017 · The two young shoeshine boys who sustain their friendship and dreams amid the apathy of postwar Rome are destroyed by their own weaknesses and desires when sent to prison for black-marketeering. This tragic study of the corruption of innocence is intense, compassionate, and above all, humane. Pauline Kael, KPFA broadcast, 1961.
17 de oct. de 2011 · What She Said. By Nathan Heller. October 17, 2011. Kael was sensitive to the cultural atomization of the sixties, and saw the movies as a second chance for American art. Illustration by Robert ...
16 de mar. de 2023 · Pauline Kael, la crítica Este mismo medio apunta que la película estará basada en la vida de Pauline Kael , una de las críticas de cine más influyentes de los años 70 en Estados Unidos. Irreverente, visceral, subjetiva y escandalosamente divertida, Kael representa un tipo de crítica que prácticamente ha desaparecido, muy semejante a lo que ocurre en España con Carlos Boyero .
More Pauline Kael in the July 2019 issue of Sight & Sound Mission critical. On 25 July 1982, at London’s National Film Theatre, Pauline Kael invited questions from the audience. In an edited selection from a previously unpublished transcript of the event, she explains why good films make her a better writer. → Buy a print issue
Pauline Kael (|keɪl|), nada en Petaluma ( California) o 19 de xuño de 1919 e finada en Great Barrington ( Massachusetts) o 3 de setembro de 2001, foi unha crítica de cinema estadounidense que escribiu na revista The New Yorker entre 1968 e 1991. Kael foi célebre polas súas críticas "enxeñosas, mordaces, altamente nesgadas e rapidamente ...
Conversations with Pauline Kael brings together roughly half of Kael's published interviews along with a lively debate between Kael and Jean-Luc Godard. Collectively, the interviews provide rewarding perspectives on Kael's aesthetics, her politics, and her perceptions about what it is she does as a critic.
