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Maria de la Paz Pardo de Tavera y Gorricho (died 3 or 6 October 1892) was a Philippine mestiza and wife of Filipino painter Juan Luna. Though born in the Philippines, she and her family moved to Paris some time after her father Félix's death in 1864.
- c. 1862, Captaincy General of the Philippines
- 2, including Andrés
- Monsieur Dussaq in The Life of Juan Luna
- How Juan Luna Murdered His Wife and Mother-In-Law
- Life of Juan Luna: How He Got Away with Murder
Life in Paris was romantic, until the arrival of one Monsieur Dussaq into the life of Juan Luna and Paz Pardo de Tavera. In 1892, four years into their marriage, Luna and Pardo de Tavera’s marriage was already on the rocks. Luna’s temper, like his brother Antonio’s, was not one to be toyed with for he had very poor control over his emotions. For Lu...
Weeks later on September 22, 1892, Pardo de Tavera’s brothers Trinidad and Felix came to visit and check on her and her son, who was sick at the time. The visit was brief, because the brothers decided to get breakfast at a nearby café. Doña Juliana and Pardo de Tavera decided that they did not want to be left alone in the house, so they went downst...
Five months after Luna murdered his wife and mother-in-law, a fact that he admitted to doing, he was acquitted by the court. It was a time when criminal and civil laws in Paris greatly favored men. In just one day of session, the court dismissed the charges against Luna on the grounds of temporary insanity caused by passion. Apart from being found ...
En ese mismo año el artista contrajo matrimonio con Paz Pardo de Tavera, hermana de dos de sus amigos, y al siguiente nació el primogénito de la pareja, Andrés. Instalados en un apartamento del boulevard Pereire de París, Luna acabó allí el encargo más destacado que le sobrevino tras el protagonismo público que había supuesto su ...
20 de ene. de 2017 · The famous portrait of Paz Pardo de Tavera by her husband, the artist Juan Luna, remains haunted by the memory of a murder, and a curse believed to bring misfortune to the personalities who have owned it. By Jerome Gomez | Jan 20, 2017. IMAGE PHOTO: Photograph taken by Tammy David. Rose Alipio doesn’t say much about the painting.
On the left side is an 1890 painting often referred to as the “Portrait of Paz Pardo de Tavera,” which is quite absurd especially if you compare the woman in the painting with photographs of Juan Luna’s wife. Portrait of Paz Pardo de Tavera from the Ateneo de Manila University Archives.
“Portrait of a Lady,” formerly misidentified as “Paz Pardo de Tavera” Detail of Luna’s “Bulaqueña” flipped horizontally, the better to see the resemblance to Emiliana Trinidad de Santos. The “Spoliarium” may well be Juan Luna’s largest and most historically significant painting, but it is definitely not his best.
19 de nov. de 2019 · Paz Pardo de Tavera was the daughter of a wealthy political family in self-exile. They were Filipinos with Spanish noble blood and according to some historians, they fled to Europe to escape persecution from anti-reform Spaniards. Having grown up in Paris, Paz was sophisticated and cosmopolitan. She was a linguist, having mastered ...
