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Peggy Ashcroft (1907 - 1991) fue una actriz de Reino Unido conocida por: 39 escalones, Pasaje a la India, Historia de una monja, La joya de la corona (Miniserie de TV), Eduardo y la señora Simpson (TV) (Miniserie de TV), The Wars of the Roses (TV) (TV) (Miniserie de TV), Theatre 625 (Serie de TV), El arte de las miniaturas (TV), Cream in My Coffee (TV) (TV) y Murder by the Book (TV) (TV)
Peggy Ashcroft. Dama Peggy Ashcroft DBE (ur. 22 grudnia 1907 w Croydon, zm. 14 czerwca 1991 w Londynie) − angielska aktorka filmowa i teatralna. Od 1926 roku występowała m.in. w Old Vic, Royale Shakespeare Company. Grała role dramatyczne, głównie szekspirowskie (Julii w Romeo i Julia, Ofelii w Hamlecie ), często obok Johna Gielguda.
Dominant star of the British stage for over 50 years, Dame Peggy Ashcroft made no more than 15 films, but some are very memorable. On stage from 1926, she first filmed in 1933 in The Wandering Jew (d. Maurice Elvey), was obliquely sexy and touching as the crofter's wife in The 39 Steps (d.
14 de jun. de 1991 · Dame Peggy Ashcroft, who won an Oscar and other film honors following an illustrious stage career, died Friday, three weeks after suffering a stroke, a spokeswoman for the Royal Free Hospital said. She was 83.<br> The hospital said Dame Peggy, unconscious since she was stricken May 23, died peacefully in the presence of her family.
Peggy Ashcroft. Edith Margaret Emily 'Peggy' Ashcroft ( Croydon (Londen), 22 december 1907 – aldaar, 14 juni 1991) was een Engelse actrice. Zij won in 1985 een Academy Award voor haar bijrol als Mrs. Moore in A Passage to India. Daarnaast kreeg ze gedurende haar carrière meer dan twaalf andere acteerprijzen toegekend, waaronder een Golden ...
Dame Peggy Ashcroft DBE, born Edith Margaret Emily Ashcroft, was an acclaimed Academy Award-winning English actress. One of her earliest film roles was the minor part of the crofter's wife in Alfred Hitchcock 's The 39 Steps (1935). She died in London, following a stroke at the age of 83.
Ashcroft je zadržala svoje vodeće mjesto u britanskom pozorištu narednih 50 godina. Oduvijek privučena idealima stalnih pozorišnih ansambala, veliki dio svog rada radila je za Old Vic ranih 1930-ih, kompanije Johna Gielguda 1930-ih i 1940-ih, Shakespeare Memorial Theatre i njegovog nasljednika Royal Shakespeare Company iz 1950-ih, i Narodno pozorište iz 1970-ih.
