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  1. 11 de jun. de 2009 · Phenomenology and art. by. Ortega y Gasset, José, 1883-1955. Publication date. 1975. Topics. Phenomenology, Phenomenology and art, Kunsttheorie. Publisher. New York : Norton.

  2. The interest in artistic intention, in the possibility of art, in the esoteric character of its self-evidence, whatever it is phenomenologically, is an effort to undermine the popularity of art, to show that it plays art false, to reassert the irreconcilability of art with society, despite its essential existence in it.

    • Donald B. Kuspit
  3. El descubrimiento del pensador madrileño como fenomenólogo se realizó a mediados de la década de 1970. Paradójicamente en el mundo de habla inglesa con las obras compiladas por Phillip W Silver: Phenomenology and Art (1975) y Ortega as Phenomenologist, the Genesis of Meditations on Quixote (1978).

  4. 10 de ago. de 2009 · This article explores the ethical questions surrounding the phenomenological approach to interpretation in art history. It addresses contemporary art, from postminimalist sculpture to installation. Although the risk of phenomenology is that it merely confirms and reproduces the viewer's perceptual expectations, in fact, on a deeper ...

  5. About the author (1975) Essayist and philosopher, a thinker influential in and out of the Spanish world, Jose Ortega y Gasset was professor of metaphysics at the University of Madrid from 1910 until the outbreak of the Spanish Civil War in 1936. The Revolt of the Masses, his most famous work, owes much to post-Kantian schools of thought.

  6. an adequate definition of a work of art, there remains a third procedure. that is directed toward the same type of question. Phenomenological description promises to give access to "what the thing itself is"; that would be equivalent for many purposes to a definition. As Roman.

  7. Published by Lexington Books in 2016, Phenomenology and the Arts is an edited volume that takes as its subject the phenomenology of artistic experience. The book answers questions such as: What is happening when one encounters a piece of art? Why do we appreciate art? How and why are we able to determine artistic quality?