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  1. 10 de ago. de 2009 · This article explores the ethical questions surrounding the phenomenological approach to interpretation in art history. It addresses contemporary art, from postminimalist sculpture to installation. Although the risk of phenomenology is that it merely confirms and reproduces the viewer's perceptual expectations, in fact, on a deeper level, the ...

  2. Watch on. The Phenomenological Art Collective is an arts-based research lab at the University of West Georgia which utilizes phenomenological research methods to produce evocative artwork that illuminates people’s lived experiences of various psychological and sociocultural phenomena. Members of this collective experiment with innovative ways ...

  3. Abstract. Autobiography and phenomenology: Preface for Germans (1934).--Phenomenology and theory of knowledge: Sensation, construction, and intuition (1913). On the concept of sensation (1913). Consciousness, the object, and its three distances (1916).--Phenomenology and esthetics: An essay in esthetics by way of a preface (1914).

  4. Collection: John Chia and Cheryl Loh. Installation view: Two Houses: Politics and Histories in the Contemporary Art Collections of John Chia and Yeap Lam Yang, ICA Singapore, 21/7-10/10 2018. A boy shuts his eyes for a moment. When he wakes the world he once knew is gone. His room is an unfamiliar place.

  5. 29 de nov. de 2010 · Philosophy of art is traditionally concerned with the definition, appreciation and value of art. Through a close examination of art from recent centuries, Art and Phenomenology is one of the first books to explore visual art as a mode of experiencing the world itself, showing how in the words of Merleau-Ponty ‘Painting does not imitate the world, but is a world of its own’.

  6. 6 de ene. de 2004 · Art therapy based on phenomenology focuses on how individuals perceive the world, their lives, and themselves. The therapeutic goals in phenomenological art therapy have been described as ...

  7. 1 de ene. de 1982 · Finally, the approach of art and phenomenology is contrasted with that of natural science, and the possibilities of a broader ideal of science in the future are considered.