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  1. Piet Mondrian (nacido como Pieter Cornelis Mondriaan; Amersfoort, 7 de marzo de 1872-Nueva York, 1 de febrero de 1944) fue un pintor vanguardista neerlandés.. Fue miembro de la corriente De Stijl y fundador del neoplasticismo, junto con Theo van Doesburg.

  2. Piet Mondrian wurde am 7. März 1872 als zweites von fünf Kindern in Amersfoort an der Kortegracht 11 als Sohn von Pieter Cornelis Mondriaan (1839–1915) und dessen Frau Johanna Christina Mondriaan (geb.

  3. Piet Mondrian is a Dutch painter who has carved a unique niche for himself on the global platform matching the likes of other celebrity painters. He is possibly best known for being one of the founders of the De Stijl, which incorporated an art movement that worked around abstract works, and the new art forms that were being introduced to the world in the early 20th century.

  4. Piet Mondrian, el «pintor de los cuadraditos» fue un artista holandés que creó su obra en torno a la revista De Stijl, principal órgano de difusión neoplasticista. Para tipos como Mondrian, el arte debía ser representado a través de líneas rectas y colores puros. Cada uno tiene su opinión.

  5. Piet Mondrian, original name Pieter Cornelis Mondriaan, (born March 7, 1872, Amersfoort, Netherlands—died February 1, 1944, New York, New York, U.S.), painter who was an important leader in the development of modern abstract art and a major exponent of the Dutch abstract art movement known as De Stijl (“The Style”). In his mature paintings, Mondrian used the simplest combinations of ...

  6. 19/12/2021 · Piet Mondrian 1872-1944. Dutch pioneer of abstract art, who developed from early landscape pictures to geometric abstract works of a most rigorous kind. Born in Amersfoort, Utrecht. Studied painting at the Amsterdam Academy 1892-4 and again, part-time, 1896-7. Friendship with the painter Simon Mans and painted landscapes in the Hague School ...

  7. Piet Mondrian, one of the founders of the Dutch modern movement De Stijl, is recognized for the purity of his abstractions and methodical practice by which he arrived at them. He radically simplified the elements of his paintings to reflect what he saw as the spiritual order underlying the visible world, creating a clear, universal aesthetic language within his canvases.

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