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  1. Polyxène Sforza, née à Fermo en 1428 et morte en juin 1449 à Rimini, est la fille de Francesco Sforza, duc de Milan et de son amante Giovanna Acquapente (it) dite la Colombe qui en 17 ans lui donna cinq enfants [1]; elle porte le prénom de la première épouse de Francesco Polyxène Ruffo (it).

  2. Bajo su liderazgo, se realizaron importantes obras de arte y se fomentaron avances significativos en el ámbito cultural. En este artículo, exploraremos la influencia de la familia Sforza en el arte renacentista y cómo su mecenazgo contribuyó al desarrollo artístico de la época.

  3. en.wikipedia.org › wiki › PolyxenaPolyxena - Wikipedia

    Polyxena. The sacrifice of Polyxena by the triumphant Greeks ( Attic black-figure Tyrrhenian amphora, ca. 570–550 BC) In Greek mythology, Polyxena ( / pəˈlɪksɪnə /; Greek: Πολυξένη) was the youngest daughter of King Priam of Troy and his queen, Hecuba. [1] She does not appear in Homer, but in several other classical authors ...

  4. 18 de nov. de 2022 · In this post is the coat of arms of royal knight, SFORZA (François-Alexandre), that depicts a Maur (High priest of Anu) being born from a blue dragon since serpents/ dragons don’t eat their prey feet-first. Also, notice the double headed Turkey of the Holy Roman Empire on the coat of arms.

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  5. The Sacrifice of Polyxena. Charles Le Brun French. 1647. On view at The Met Fifth Avenue in Gallery 622. As recounted by the ancient Roman poet Ovid, a compliant Polyxena is led to her death at a sacrificial altar to appease the ghost of the war hero Achilles.

  6. The Rape of Polyxena. Video in Italian | The marble group of statues by Pio Fedi under the Loggia dei Lanzi. The Rape of Polyxena by Pio Fedi is a four-figure marble group that re-enacts the abduction, already narrated by Euripides and Virgil, of young Polyxena.

  7. Title: The Sacrifice of Polyxena. Artist: Giovanni Francesco Romanelli (Italian, Viterbo ca. 1610–1662 Viterbo) Medium: Oil on canvas. Dimensions: 77 3/4 x 88 in. (197.5 x 223.5 cm) Classification: Paintings. Credit Line: Rogers Fund, 1954. Accession Number: 54.166. Learn more about this artwork.