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Sánchez-Jáuregui, Mª Dolores, Pompeo Batoni 'Francis Basset' En:, Italian masterpieces from Spain's royal court, Museo del Prado, National Gallery of Victoria Thames & Hudson, 2014, pp. 270. Bowron, Edgar Peters, Pompeo Batoni. A complete catalogue of his paintings, II, Yale University Press, 2015, pp. 541-544 n.422.
Jan 25, 1708 - Feb 4, 1787. Pompeo Girolamo Batoni was an Italian painter who displayed a solid technical knowledge in his portrait work and in his numerous allegorical and mythological pictures. The high number of foreign visitors travelling throughout Italy and reaching Rome during their "Grand Tour" led the artist to specialize in portraits.
Sold or not available. We offer the Pompeo Girolamo Batoni work of art 'Samson and Delilah'. Pompeo Girolamo Batoni of the Italian - Roman school of artists created this fine example of Religious: New Testament art from the Rococo - 1720-1780 period. Contact the Matthiesen Gallery, London (+44 (0)207-930 2437) for further details.
1 de ene. de 2007 · Pompeo Batoni (1708-1787) was the most celebrated painter in Rome in his day. For nearly half a century he recorded the international travellers who visited the city on the Grand Tour, and these portraits remain among the most memorable artistic accomplishments of the period.
Without peer or parallel, Pompeo Batoni was the dominant painter in Rome in the middle years of the 18 th century. His contemporaries recognized this preeminence, a position which Batoni maintained for a period of nearly fifty years. The comment of the American painter Benjamin West is indicative of the regard in which Batoni was held; many ...
Batoni, Pompeo. Pompeo Batoni fue, junto con Anton Raphael Mengs, el gran representante del Clasicismo romano de la segunda mitad del siglo XVIII. Tras una formación inicial en su Lucca natal, su educación artística se produjo en la Ciudad Eterna en el marco del clasicismo y academicismo riguroso.
Jan 25, 1708 - Feb 4, 1787. Pompeo Girolamo Batoni was an Italian painter who displayed a solid technical knowledge in his portrait work and in his numerous allegorical and mythological pictures. The high number of foreign visitors travelling throughout Italy and reaching Rome during their "Grand Tour" led the artist to specialize in portraits.
