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Hace 4 días · Deep listening involves going below the surface of what is heard, expanding to the whole field of sound while finding focus. This is the way to connect with the acoustic environment, all that inhabits it, and all that there is.” —Pauline Oliveros.
Hace 6 días · Film Screening - Deep Listening: The Story of Pauline Oliveros happening at ImprovLab (108 MacKinnon Building, 87 Trent Lane, Guelph, Ontario), Canada on Sun May 05 2024 at 04:00 pm to 06:30 pm
Hace 6 días · In the tradition of Pauline Oliveros, composer, cellist and artist Anne Bourne will facilitate a morning walk, internal contemplation, created from within the surrounding sound field. For all voices. 8:30-9:30 am, Art Gallery of Guelph.
Hace 5 días · The 2020 edition includes a cd featuring the original interview recordings with Larry Austin, Robert Ashley, Jim Burton, John Cage, Philip Corner, Morton Feldman, Philip Glass, Joan La Barbara, Garrett List, Alvin Lucier, John McGuire, Charles Morrow, J.B. Floyd (on Conlon Nancarrow), Pauline Oliveros, Charlemagne Palestine, Ben Johnston (on Harry Partch), Steve Reich, David Rosenboom ...
Hace 1 día · Despite its decline in the last third of the 20th century, there remained at the end of the century an active core of composers who continued to advance the ideas and forms of modernism, such as Pierre Boulez, Pauline Oliveros, Toru Takemitsu, George Benjamin, Jacob Druckman, Brian Ferneyhough, George Perle, Wolfgang Rihm, Richard Wernick, Richard Wilson, and Ralph Shapey.
Hace 6 días · In Celeste Forma, Bobby Ge explores the birth of stars, from nebulous collections of space dust to the violent and energized phases of development that ultimately end up as a fully-formed star. Using the concepts of orbit and circular motion, Garth Knox employs unconventional and original instrumental techniques to create unique sound worlds in his quartet, Satellites .
Hace 4 días · This was the moment that inspired one of Coleman’s most famous compositions: “Lonely Woman.”. Composed in 1959, “Lonely Woman” was the opening track of The Shape of Jazz to Come, released on Atlantic Records that same year. This first recording of the song featured a stellar cast: cornetist Don Cherry, drummer Billy Higgins, and ...
