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  1. 1 de ene. de 1992 · by Pauline Kael (Author) 14. See all formats and editions. Reeling is Pauline Kael's fifth collection of movie reviews, covering the years 1972 through 1975. First published in 1976 by Little Brown, the book is largely composed of movie reviews, ranging from her famous review of Last Tango in Paris to her review of A Woman Under the ...

    • (14)
    • Pauline Kael
  2. 1 de ene. de 2001 · 4.37. 183 ratings10 reviews. Reeling is Pauline Kael's fifth collection of movie reviews, covering the years 1972 through 1975. First published in 1976 by Little Brown, the book is largely composed of movie reviews, ranging from her famous review of Last Tango in Paris to her review of A Woman Under the Influence, but it also ...

    • (182)
    • Hardcover
    • Pauline Kael
  3. Paperback – 9 Jan. 1977. by Pauline Kael (Author) 4.4 13 ratings. See all formats and editions. Film writings from 1972-1975, by Pauline Kael, the only film critic ever to have won the US National Book Award in Arts and Letters. The collection includes the long, prophetic, analytic essay 'On the Future of Movies' that proved contentious in ...

    • (13)
    • Pauline Kael
  4. Amazon.com: Reeling: Film Writings 1972-1975: 9780714525822: Kael, Pauline: Libros

  5. Reeling: Film Writings 1972-1975 by Kael, Pauline - ISBN 10: 0714525820 - ISBN 13: 9780714525822 - Marion Boyars Publishers Ltd - 1992 - Softcover

  6. Film writings from 1972-1975, by Pauline Kael, the only film critic ever to have won the US National Book Award in Arts and Letters. The collection includes the long, prophetic, analytic essay 'On the Future of Movies' that proved contentious in its criticism of the Hollywood system, which Kael thought debased its audience and ignored its artists.

    • Paperback
    • Pauline Kael
  7. 4/5: Pauline Kael was a 'new journalist' disguised as a film critic, disguised as a war reporter, and this gives any collection of her criticism an incredible point of view that was completely unique to her at the time, and I think in the history of film criticism, because she became an artist through the back door, in the sneakiest slyest way imaginable because she used movies as a way to ...

    • Seth Kupchick