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    relacionado con: Robert Adam
  1. www.ecured.cu › index › Robert_AdamRobert Adam - EcuRed

    Robert Adam.Fue un arquitecto, diseñador de interiores y muebles neoclásico escocés. Es considerado por muchos como el más destacado arquitecto de fines del siglo XVIII, y líder del renacimiento neoclásico en Inglaterra y Escocia desde 1760 hasta su muerte.

  2. 17/12/2021 · Robert Adam (1728 – 92) was one of the most important British architects working in the Neoclassical style – a movement in the decorative and visual arts that drew inspiration from the 'classical' art and culture of Ancient Greece and Rome.

  3. Robert Adam, (born July 3, 1728, Kirkcaldy, Fife, Scot.—died March 3, 1792, London, Eng.), Scottish architect and designer. Son of the architect William Adam, he apprenticed in his father’s offices. He traveled in Europe in 1754–58, studying architectural theory and Roman ruins. On his return to London, he and his brother James (1732–94 ...

  4. 29/05/2018 · The British architects Robert (1728-1792) and James (1730-1794) Adam were the leading practitioners of the neoclassic style in the late 18th century. Their graceful, elegant work is based chiefly on ancient Roman and Renaissance motifs. Robert Adam was born on July 3, 1728, at Kirkcaldy, Fifeshire, Scotland.

  5. Robert Adam was an 18th-century British architect who worked largely in the neoclassical style, reviving the traditions of ancient Greece and Rome but in new, modern ways. However, his take on...

  6. archxde.com › arquitectos › adam-robertRobert Adam - ArchXDe

    Biografía. Robert Adam (1728-1792), hijo de un maestro de obras escocés, estudió en la Universidad de Edimburgo Matemáticas, Anatomía y Metafísica, entre otras cosas, antes de iniciar el aprendizaje en el despacho de su padre en 1746. En 1754 fue a Italia para estudiar los edificios de la Roma antigua y del Renacimiento.

  7. www.nationaltrust.org.uk › profiles › robert-adamRobert Adam | National Trust

    Robert Adam was the son of a prominent Scottish architect. Later called ‘Bob the Roman’, he introduced into Britain his own distinct classical style, inspired by the archaeology and ornament he had seen on his travels and researches in Italy. This chimed perfectly with the rising popularity of all things Roman amongst Britain’s elites.

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