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Robert Henri (25 de junio de 1865 – 12 de julio de 1929) fue un pintor, retratista y profesor estadounidense, y uno de los ocho artistas fundadores de la Escuela Ashcan, una corriente artística que tenía como propósito capturar de forma realista las escenas de la vida diaria de los barrios más pobres de Nueva York. 1 .
- Robert Henry Cozad
Robert Henri ( / ˈhɛnraɪ /; June 24, 1865 – July 12, 1929) was an American painter and teacher. As a young man, he studied in Paris, where he identified strongly with the Impressionists, and determined to lead an even more dramatic revolt against American academic art, as reflected by the conservative National Academy of Design.
- Painting
- Ashcan School
- Robert Henry Cozad, June 24, 1865, Cincinnati, Ohio, US
Robert Henri (25 de junio de 1865 – 12 de julio de 1929) fue un pintor, retratista y profesor estadounidense, y uno de los ocho artistas fundadores de la Escuela Ashcan, una corriente artística que tenía como propósito capturar de forma realista las escenas de la vida diaria de los barrios más pobres de Nueva York.
- American
- Cincinnati, Ohio, United States
Robert Henri (born June 25, 1865, Cincinnati, Ohio, U.S.—died July 12, 1929, New York, New York) was an urban realist painter, a leader of The Eight and the Ashcan School and one of the most influential teachers of art in the United States at the beginning of the 20th century.
- The Editors of Encyclopaedia Britannica
Robert Henri. Pintor estadounidense. Nació el 25 de junio de 1865 en Cincinnati, Ohio (Estados Unidos). Asistió a la Academia de Bellas Artes de Pensilvania, y en París a la Académie Julien y a la Escuela de Bellas Artes.
The leader of the Ashcan School, the painter Robert Henri pave the way for the development of twentieth-century American Realism.
Robert Henri (/ˈhɛnraɪ/; June 24, 1865 – July 12, 1929) was an American painter and teacher. He was a leading figure of the Ashcan School of American realism and an organizer of the group known as "The Eight," a loose association of artists who protested the restrictive exhibition practices of the powerful, conservative National Academy of ...
