Resultado de búsqueda
Introduction : Rauschenberg's art of fusion / Walter Hopps -- Rauschenberg's everything, everywhere era / Charles F. Stuckey -- Perpetual inventory / Rosalind Krauss -- Rauschenberg and performance, 1963-67 : a "poetry of infinite possibilities" / Nancy Spector -- Rauschenberg for Cunningham and three of his own / Steve Paxton -- Collaboration : life and death in the aesthetic zone / Trisha ...
As Warhol said, “What bothered me was the way the television and radio were programming everyone to feel so sad.”. Retroactive I (1963) belongs to the series of silkscreen paintings that Rauschenberg made between 1962 and 1964. His subject matter and commercial means of reproduction for these works led critics to identify him with Pop art.
4 de dic. de 2016 · Robert Rauschenberg review – the combine master, uncut. This thrilling retrospective gives us Rauschenberg whole, from his collages to his ballets to his own wild performances. R obert ...
In a career that has spanned nearly 50 years, Robert Rauschenberg has redefined the art of our time. Once branded the bad boy of American modernism, Rauschenberg has taken a revolutionary approach to traditional art forms and worked in an extraordinarily diverse range of mediums.
Robert Rauschenberg with "Monogram" (1955–59) and "Estate" (1963) the "Robert Rauschenberg" retrospective exhibition at the National Collection of Fine Arts, Smithsonian Institution. , Washington, D.C., United States, October 1976. Photo: Gianfranco Gorgoni. Photograph Collection. Robert Rauschenberg Foundation Archives, New York. P913. Monogram.
31 de oct. de 1997 · Once, I saw it at a Barnes & Noble and did not get it because I didn't have the money. And when I went back, they did not have it. Then it was out of print. Ten years ago, I scoured the internet for it and it continued to elude me. One day recently, I checked Amazon and here it was! OMG, I am so happy to own this book. I loved Robert Rauschenberg.
- Robert Rauschenberg, Susan Davidson, Tricia Brown
Milton Ernest "Robert" Rauschenberg (October 22, 1925 – May 12, 2008) was an American painter and graphic artist whose early works anticipated the Pop art movement. Rauschenberg is well known for his Combines (1954–1964), a group of artworks which incorporated everyday objects as art materials and which blurred the distinctions between painting and sculpture.
