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A televízió[szerkesztés] Rossellini a Szókratész jelenetét rendezi. Az 1960-as évektől kezdve Roberto Rossellini a televíziózás felé fordult. Számos filmet készített, köztük a XIV. Lajos hatalomra jutása című alkotást a francia tévének 1966 -ban. Később a nyugati világ művészeiről, feltalálóiról, filozófusairól ...
11 de mar. de 2015 · More than thirty years after his death in 1977, Roberto Rossellini is remembered by your average film buff as the father of Italian neorealism (Rome, Open City, 1945; Paisan, 1946; Germany Year Zero, 1948) and of actress and model Isabella Rossellini, one of his three children with Ingrid Bergman, with whom he conducted a notorious affair before their seven-year marriage in the 1950s.
19 de sept. de 2021 · Parecía que el destino tenía planeado para el hijo de Isabella Rossellini, Roberto, un camino diferente al de su familia, alejado de los flashes y del foco mediático. Sin embargo, como ha ...
Roberto Rossellini. Některá data mohou pocházet z datové položky. Roberto Rossellini [Roselíny] ( 8. května 1906 – 3. června 1977 ), byl italský filmový režisér a scenárista, představitel italského filmového neorealismu. Jeho filmy se zabývají válečnou a sociální tematikou. Jeho manželkou byla Ingrid Bergmanová .
Roberto Rossellini (1906 - 1977) fue un director y guionista de Italia conocido por Roma, ciudad abierta, Alemania, año cero, Stromboli, tierra de Dios, Te querré siempre, Europa '51, Paisà (Camarada), El general de la Rovere, Francisco, juglar de Dios, El amor y Ya no creo en el amor
13 de may. de 2019 · Rossellini. Rossellini is one half of the Truffaut/Godard of Italian Neorealism movement with De Sica and I’m not sure there’s a Bicycle Thieves without Rossellini. Rossellini is the Godfather and unofficial founder of Italian neo-realism (though realism has always been a part of cinema with expressionism). Visconti has some claim to that as well with Ossessione but if I had to put one ...
4 de abr. de 2024 · Roberto Rossellini (born May 8, 1906, Rome—died June 3, 1977, Rome) was one of the most widely known post-World War II motion-picture directors of Italy. His films Roma città aperta (1945; Open City) and Paisà (1946; Paisan) focussed international attention on the Italian Neorealist movement in films. The son of a successful sculptor and ...
