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Hace 10 horas · In separate interviews, Dana Stevens, writer of The Woman King, and Robin Swicord described the change using exactly the same words: "Free work was encoded." So was safe material. In an effort to anticipate what a studio would green-light, writers incorporated feedback from producers and junior executives, constructing what became known as producer's drafts.
Hace 10 horas · The norm was what’s known as a multistep deal: studios paid up front for ideas, then scripts, then rewrites. Robin Swicord, writer of the adaptations for 1994’s Little Women and 2008’s The Curious Case of Benjamin Button, told me: “When you would walk into someone’s office for a meeting, you’d see behind them a wall of screenplays.”
Hace 10 horas · Giuseppe De Nittis "La Place du Carrousel, ruine des Tuileries" Óleo sobre tela Ano: 1882 Museu do Louvre, Paris.
