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  1. - Roger Ebert One of the gifts a movie lover can give another is the title of a wonderful film they have not yet discovered. Here are more than 300 reconsiderations and appreciations of movies from the distant past to the recent past, all of movies that I consider worthy of being called "great."

  2. 20 de oct. de 2021 · The opening title calls it “Dune Part 1” and while this two-and-a-half hour movie provides a bonafide epic experience, it's not coy about connoting that there’s more to the story. Herbert’s own vision corresponds to Villeneuve’s own storytelling affinities to the extent that he apparently did not feel compelled to graft his own ideas ...

  3. Archive of Roger's greatest Reviews and interviews!Visit the full websiteRogerebert.com

  4. 6 de mar. de 2022 · Matt Reeves ’ “The Batman” isn’t a superhero movie. Not really. All the trappings are there: the Batmobile, the rugged suit, the gadgets courtesy of trusty butler Alfred. And of course, at the center, is the Caped Crusader himself: brooding, tormented, seeking his own brand of nighttime justice in a Gotham City that’s spiraling into ...

  5. Nadie puede arrebatarle a Roger Ebert el título del crítico de cine más popular de Estados Unidos. Tras su muerte en abril de 2013, periódicos, revistas y programas en varios países le dedicaron el tipo de tributo asociado a quienes protagonizan y dirigen películas, no a los que escriben sobre ellas. Sin embargo, hubo un tiempo en que Ebert era considerado un crítico ubicuo y sin ...

  6. en.wikiquote.org › wiki › Roger_EbertRoger Ebert - Wikiquote

    Roger Ebert official website; Ebert & Roeper official website "In the meadow, we can pan a snowman", (Roger Ebert's Journal), Chicago Sun-Times, 21 December 2008 – Quoting favorite movie pans from his columns, "Thanks to reader Jerry Roberts of Birmingham, Alabama, and WikiQuotes [sic] for some of these." Roger Ebert at the Notable Names Database

  7. 17 de nov. de 2023 · May December. "May December" starts with a flurry of confusing activity in two different locations. A glamorous woman ( Natalie Portman) checks into a boutique hotel, murmuring into her Bluetooth. Another woman ( Julianne Moore) is in the final stages of planning a get-together at her waterfront home. She opens the fridge and stares into it.

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