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Rogneda Rogvolodovna (Russian: Рогнеда Рогволодовна; Christian name: Anastasia; c. 960 – c. 1000), also known as Ragnhild (Ragnheiðr), is a person mentioned in the Primary Chronicle as having been a princess of Polotsk, the daughter of Rogvolod (Ragnvald), who came from Scandinavia and established himself at ...
- c. 960
- Rogvolod
- c. 1000
- Vladimir the Great (divorced)
Rogneda de Pólatsk (962-1002) es el nombre eslavo de Ragnhild, cuyo padre Ragnvald (en eslavo: Rógvolod) vino de allende de los mares (por ejemplo, de Escandinavia) y se estableció en Pólatsk a mediados del siglo X . Se ha especulado que Ragnvald pertenecía a familia real Ynglingar de Noruega.
- 1000
- Rógvolod
- c. 962
- Cristianismo
Compartir Imprimir Citar. Rogneda Rogvolodovna (Рогнеда Рогволодовна; nombre de pila: Anastasia; c. 960 – c. 1000 ), también conocido como Gorislava o Ragnhild ( Ragnheiðr ), fue una princesa de Polotsk y una de las esposas de Vladimir el Grande. Era hija de Rogvolod (Ragnvald), que vino de Escandinavia y se estableció ...
9 de jul. de 2022 · Rogneda is believed to have founded one of the first monasteries in the Rus lands, around Polotsk. After becoming a nun, she is believed to have spent the last years of her life in her monastery. Rogneda is credited with helping to spread Christianity in the Belarus region.
Rogneda (Russian: Рогнеда) is an opera in five acts, composed by Alexander Serov between 1863 and 1865. The scenario, by the composer, was based on the novel Askold's Grave (Аскольдова могила, 1833) by Mikhail Zagoskin and the poem Rogneda (ca. 1825) by Kondraty Ryleyev.
- Russian
- Dmitry Averkiev
- Mikhail Zagoskin's Askold's Grave
- 27 October 1865, Mariinsky Theatre, Saint Petersburg
Rogneda Rogvolodovna (Russian: Рогнеда Рогволодовна; Christian name: Anastasia; c. 960 – c. 1000), also known as Ragnhild (Ragnheiðr), is a person mentioned in the Primary Chronicle as having been a princess of Polotsk, the daughter of Rogvolod (Ragnvald), who came from Scandinavia and established himself at Polotsk in the ...
That is in fact why in Rogneda we sometimes come across moments of considerable musical beauty, like the rare oases in a desert, as it were. Among such numbers I include the pagan sacrificial chorus of Act II, the charming song of Iziaslav, Rogneda's ballad, and the splendid hymn with which the opera concludes.
