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Romano Romanelli (14 May 1882 – 25 September 1968) [1] was an Italian artist, writer, and naval officer, known for his sculptures and his medals. Romanelli was born in Florence, the son of sculptor Raffaello Romanelli.
Romano Romanelli was the son and pupil of the famous sculptor Raffaello Romanelli (1856-1928). His grandfather Pasquale (1812-87) was also a sculptor. After World War II, Romano became known for the creation of the Friezes in South Africa for the Voortrekker Monument, which he did with local artists.
- Romano Pasquale Lorenzo Maria•Romanelli
- Male
- Competed in Olympic Games
- Romano•Romanelli
18 de abr. de 2024 · Romano Romanelli was the son of the famous sculptor Raffaello Romanelli (1856-1928). His grandfather Pasquale (1812-87) was also a sculptor. After World War II, Romano became known for the creation of the Friezes in South Africa for the Voortrekker Monument, which he did with local artists. Raffaello, one of his sons, also became a sculptor.
Romanelli Romano. È nato a Firenze, il 14 maggio 1882. Il babbo scultore lo educò all’arte, nei primi anni dell’infanzia. Poi il mare lo ebbe ufficiale della Marina italiana. Poi, dopo la guerra di Libia, la scultura; poi nella Guerra mondiale ancora il mare; poi ancora la scultura.
By Ioannis Tzortzakakis. Florentine Avant-Garde sculptor Romano Romanelli was born on 7 January 1882. He died in 20 January 1969 in Florence. He comes from a family of renowned sculptors, which continues to this day.
Grande protagonista della sua epoca, fu nominato Accademico d’Italia il 23 ottobre 1930. Sostenitore del classicismo, fu noto ritrattista ( Ritratto di Giovanni Papini, Firenze, Galleria d'Arte Moderna di Palazzo Pitti ed eseguì vari monumenti, tra cui a Roma in Piazza Albania, quello a Giorgio Castriota Scanderbeg.
25 de may. de 2023 · An embodiment of the former regime's colonial exploits in Africa, the commemorative work, designed by Romano Romanelli in 1938, has since been distanced from its fascist signification. Its present obscurity is encouraged by the site's apparent lack of critical engagement with its fraught history.
