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Safety Last! is a 1923 American silent romantic-comedy film starring Harold Lloyd. It includes one of the most famous images from the silent-film era: Lloyd clutching the hands of a large clock as he dangles from the outside of a skyscraper above moving traffic.
- $121,000
- April 1, 1923 (US)
- Hal Roach
- Harold Lloyd
With Harold Lloyd, Mildred Davis, Bill Strother, Noah Young. A boy leaves his small country town and heads to the big city to get a job. As soon as he makes it big his sweetheart will join him and marry him. His enthusiasm to get ahead leads to some interesting adventures.
- (22K)
- Action, Comedy, Thriller
- Fred C. Newmeyer, Sam Taylor
- 1923-04-01
El hombre mosca (título original en inglés: Safety Last!) es una película muda estadounidense de 1923 protagonizada por Harold Lloyd. Incluye una de las imágenes más famosas de la época del cine mudo: Lloyd agarrando las manecillas de un gran reloj mientras cuelga del exterior de un rascacielos por encima del tráfico.
- Robert A. Golden
- Hal Roach
- El hombre mosca
El hombre mosca es una película dirigida por Fred C. Newmeyer, Sam Taylor con Harold Lloyd, Mildred Davis, Bill Strothers, Noah Young .... Año: 1923. Título original: Safety Last!. Sinopsis: La obra maestra de Harold Lloyd.
- Estados Unidos
- Walter Lundin (B&W)
- Fred C. Newmeyer,, Sam Taylor
24 de mar. de 2023 · Harold Lloyd’s stunts in Safety Last! make it one of the most heart-in-mouth films of all time. On its 100th birthday, his granddaughter remembers his mastery, inspiration – and the real-life...
- Pamela Hutchinson
Safety Last!, American silent film comedy, released in 1923, that was best known for its iconic image of comedian Harold Lloyd hanging from a clock atop a skyscraper. The film featured other dangerous stunts, all of which Lloyd performed himself. Learn more about Safety Last!, including its plot.
Laugh-out-loud funny and jaw-dropping in equal measure, Safety Last! is a movie experience par excellence, anchored by a genuine legend. The comic genius of silent star Harold Lloyd is eternal. Chaplin is the sweet innocent, Keaton the stoic outsider, but Lloyd—the modern guy striving for success—is us.
