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  1. Ricci, Sebastiano. Sebastiano Ricci fue el verdadero renovador de la pintura veneciana entre el siglo XVII y el XVIII. Discípulo de Sebastiano Mazzoni, Ricci viajó profusamente en sus años juveniles. Está documentado en Bolonia, hacia 1680, y en Parma, en 1685, ciudades de gran tradición pictórica, donde entró en contacto, por un lado ...

  2. Museo Nacional Thyssen-Bornemisza. Sebastiano Ricci, en estos dos lienzos que forman pareja, ha representado los esponsales de dos divinidades: Neptuno, dios del mar, y Baco, dios del vino. Las telas se han fechado en los primeros años de la década de 1690, coincidiendo con la estancia del pintor en Roma. Entre las pinturas más relevantes ...

  3. On View - Stent Family Wing, Level 2, Gallery 204. Sebastiano Ricci helped revitalize Venetian art at the beginning of the eighteenth century by adopting rich, luminous colors that made his compositions appear natural and his painting spontaneous. The Battle of the Lapiths and Centaurs depicts a subject from Ovid’s Metamorphoses.

  4. Title: Allegory with Figures of Hope, Time, and Death. Artist: Sebastiano Ricci (Italian, Belluno 1659–1734 Venice) Date: 1659–1734. Medium: Pen and brown ink, brush and gray wash, over red and black chalk. Dimensions: 10 13/16 x 7 11/16in. (27.4 x 19.6cm) Classification: Drawings. Credit Line: Rogers Fund, 1967.

  5. A slideshow of artworks auto-selected from multiple collections. 'Sebastiano Ricci used an array of flesh tones to describe and model the playful, graceful figures, from the reddish-brown tanned skin of the athletic men to the light brownish-peach skin of the cherub blowing a conch shell in the lower right-hand corner and the even lighter flesh of the women.'

  6. Hace 2 días · Sebastiano Ricci was born in Belluno, Italy in 1659. At the age of 12 he moved to Venice, where he was apprenticed to the Milanese artist Federico Cervelli. In 1681 Ricci left Venice for Bologna – he had briefly been imprisoned for trying to poison a woman he had made pregnant, but was released following the intervention of a noble supporter.

  7. Title: Figure Studies. Artist: Sebastiano Ricci (Italian, Belluno 1659–1734 Venice) Date: 1659–1734. Medium: Pen and brown ink, brush and gray wash, over red and a little black chalk. Dimensions: 11 3/16 x 7 1/2in. (28.4 x 19cm) Classification: Drawings. Credit Line: Pfeiffer Fund, 1962.